Dave Chameides, an A Cam/Steadicam op with 35 years experience, 2 Emmy’s, an SOC Operator of the Year award for his work on Ozark, and a seriously cool collection of international toothpicks, brings you The Op, a podcast about Operating and the Art of Visual Storytelling. Geared towards all storytellers (Camera Operators, DPs, Directors, Writers, and beyond) both young and old, every week the Op will bring you a new interview with some of the best artists the film industry has to offer.
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Dave Chameides, an A Cam/Steadicam op with 35 years experience, 2 Emmy’s, an SOC Operator of the Year award for his work on Ozark, and a seriously cool collection of international toothpicks, brings you The Op, a podcast about Operating and the Art of Visual Storytelling. Geared towards all storytellers (Camera Operators, DPs, Directors, Writers, and beyond) both young and old, every week the Op will bring you a new interview with some of the best artists the film industry has to offer.
David and I discuss starting out in 8mm film, reading every back issue of the ASC magazine, The Marvelous Mrs. Maisel, Twin Falls Idaho, and so much more.
David's IMDB
To see pictures and things we discussed in todays episode check out the podcast page of The Op.
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Theme Music - Tatyana Richaud
Theme Mix - Charles Papert
The Op
Dave Chameides, an A Cam/Steadicam op with 35 years experience, 2 Emmy’s, an SOC Operator of the Year award for his work on Ozark, and a seriously cool collection of international toothpicks, brings you The Op, a podcast about Operating and the Art of Visual Storytelling. Geared towards all storytellers (Camera Operators, DPs, Directors, Writers, and beyond) both young and old, every week the Op will bring you a new interview with some of the best artists the film industry has to offer.