We dive into the 1964 classic Ghidorah, the Three-Headed Monster, talking about its place in the Showa era, the debut of Toho’s big five Kaiju, and Godzilla’s shift toward an anti-hero role. We break down the human plot with its clairvoyant princess and detective, make fun comparisons to early James Bond and Neon Genesis Evangelion, and highlight the film’s unique VFX work. We also touch on pacing, character interactions, and how Ghidorah feels underused.
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