“I could have made mashed potatoes, but we’re having that tomorrow.”
When Routine Becomes Revolution: Chantal Akerman's MasterpieceIn 1975, Belgian filmmaker Chantal Akerman created Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, a groundbreaking examination of feminine domestic life that would later be named the greatest film of all time by Sight & Sound critics in 2022. With a modest budget of $120,000 from the Belgian government, Akerman assembled an all-female crew to create this 201-minute meditation on routine, featuring Delphine Seyrig as a widowed mother whose rigid daily schedule includes housework and afternoon sex work to support her teenage son. Join us—Pete Wright and Andy Nelson—as we continue our Golden Jubilee: 1975's Pioneering Visions in Global Cinema series with a conversation about Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles.A Study in Slow CinemaWe discuss our initial reactions to the film's deliberately slow pacing, with Pete describing his evolution from frustration to fascination over the three-hour runtime. We explore how Akerman's "ethical editing" approach forces viewers to experience labor and routine exactly as Jeanne does, with no shortcuts, creating an unprecedented level of intimacy with the protagonist's daily life. (We also debate the concept of “ethical editing.”)Performance and Technical AchievementWe praise Delphine Seyrig's subtle performance, noting how she communicates volumes through minimal expression and gesture. We examine Akerman's static camera work and deliberate framing choices, discussing how technical elements like selective focus in hallway scenes might reflect both intentional artistic choices and production circumstances.Key Discussion Points:
- The film's unique position as a feminist masterwork that examines domestic labor and capitalism
- The complex mother-son relationship between Jeanne and Sylvain
- How the film's structure builds tension through minimal disruptions to routine
- The significance of the ending and its relationship to the preceding three hours
- Comparisons to other films about domestic work, including Roma and Parasite
- The film's journey to becoming Sight & Sound's #1 film and the implications of that recognition
Legacy and ImpactWe reflect on how Jeanne Dielman creates a cinematic experience that could not be effectively translated to any other medium. We discuss its growing critical appreciation over decades and debate whether its recent coronation as "greatest film of all time" helps or hinders its accessibility to new viewers.We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins!🎬 Watch & Discover
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