It’s generally agreed that a trip to a museum is almost certainly educational, at times entertaining and often enlightening. The fortress-like buildings tend to be full of treasures and objects from all over the world, bringing the past to life in wondrous ways. But have you ever stopped to think how the objects found their way there and what they might say if they could tell their own stories?
In the Museum of Bad Vibes, Hanna Adan explores the cultural & spiritual significance an Akan Gold weight, Benin Bronze, a Chinese Ancestral Tablet and a Papua New Guinean Koi board; learns how they they got to be in some of the UK’s most celebrated museums and asks whether they could or should be returned to their countries and communities of origin.
It’s generally agreed that a trip to a museum is almost certainly educational, at times entertaining and often enlightening. The fortress-like buildings tend to be full of treasures and objects from all over the world, bringing the past to life in wondrous ways. But have you ever stopped to think how the objects found their way there and what they might say if they could tell their own stories?
In the Museum of Bad Vibes, Hanna Adan explores the cultural & spiritual significance an Akan Gold weight, Benin Bronze, a Chinese Ancestral Tablet and a Papua New Guinean Koi board; learns how they they got to be in some of the UK’s most celebrated museums and asks whether they could or should be returned to their countries and communities of origin.
It’s generally agreed that a trip to a museum is almost certainly educational, at times entertaining and often enlightening. The fortress-like buildings tend to be full of treasures and objects from all over the world, bringing the past to life in wondrous ways. But have you ever stopped to think how the objects found their way there and what they might say if they could tell their own stories?
In the Museum of Bad Vibes, Hanna Adan explores the cultural & spiritual significance an Akan Gold weight, Benin Bronze, a Chinese Ancestral Tablet and a Papua New Guinean Koi board; learns how they they got to be in some of the UK’s most celebrated museums and asks whether they could or should be returned to their countries and communities of origin.
