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The Museum of Bad Vibes
BBC Sounds
6 episodes
9 months ago

It’s generally agreed that a trip to a museum is almost certainly educational, at times entertaining and often enlightening. The fortress-like buildings tend to be full of treasures and objects from all over the world, bringing the past to life in wondrous ways. But have you ever stopped to think how the objects found their way there and what they might say if they could tell their own stories?

In the Museum of Bad Vibes, Hanna Adan explores the cultural & spiritual significance an Akan Gold weight, Benin Bronze, a Chinese Ancestral Tablet and a Papua New Guinean Koi board; learns how they they got to be in some of the UK’s most celebrated museums and asks whether they could or should be returned to their countries and communities of origin.

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All content for The Museum of Bad Vibes is the property of BBC Sounds and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.

It’s generally agreed that a trip to a museum is almost certainly educational, at times entertaining and often enlightening. The fortress-like buildings tend to be full of treasures and objects from all over the world, bringing the past to life in wondrous ways. But have you ever stopped to think how the objects found their way there and what they might say if they could tell their own stories?

In the Museum of Bad Vibes, Hanna Adan explores the cultural & spiritual significance an Akan Gold weight, Benin Bronze, a Chinese Ancestral Tablet and a Papua New Guinean Koi board; learns how they they got to be in some of the UK’s most celebrated museums and asks whether they could or should be returned to their countries and communities of origin.

Show more...
History
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The Bird of Prophecy’s Final Song
The Museum of Bad Vibes
31 minutes
3 years ago
The Bird of Prophecy’s Final Song

The Bird of Prophecy staff has been locked up in a box unable to speak and when finally given the chance, he tells the story of his former glory as a ceremonial symbol of pride for his people.

On this tour, Hanna Adan, with the assistance of experts, explores the history of the Benin Bronzes, from the Benin Kingdom. The sculptures include elaborately decorated cast plaques, commemorative heads, animal and human figures, items of royal regalia, and personal ornaments. They were created from the 16th century onwards in the West African Kingdom of Benin, which was part of the British Empire from 1897 to 1960, and is now part of Nigeria.

Through the eyes of the Bird of Prophecy staff, Hanna tells the story of the British Empire raid, the destruction that saw the kingdom crumble, and the dispersal of the famous Benin Bronzes around the globe.

Through this sonic museum tour we ask - what is the Museum’s duty towards contested objects of spiritual and cultural significance in their collections?

Produced and Presented by Hanna Adan With story by George Bailey Assistant Producer and Editor: Kwaku Dapaah-Danquah Researcher: Seyi Bolarin Starring: Oluwafemi Olugbade Contributors: Oluwatoyin Sogbesan, Chika Okeke-Agulu, Sonita Alleyn Production Mentors: Jane Thurlow and Corinna Jones Sound Designer: Lauren Armstrong-Carter Tech Producer: Bob Nettles Executive Producers: Khaliq Meer & Leanne Alie Commissioned for BBC Sounds Audio Lab by Khaliq Meer Artwork by Joshua Obeng-Boateng

The Museum of Bad Vibes

It’s generally agreed that a trip to a museum is almost certainly educational, at times entertaining and often enlightening. The fortress-like buildings tend to be full of treasures and objects from all over the world, bringing the past to life in wondrous ways. But have you ever stopped to think how the objects found their way there and what they might say if they could tell their own stories?

In the Museum of Bad Vibes, Hanna Adan explores the cultural & spiritual significance an Akan Gold weight, Benin Bronze, a Chinese Ancestral Tablet and a Papua New Guinean Koi board; learns how they they got to be in some of the UK’s most celebrated museums and asks whether they could or should be returned to their countries and communities of origin.