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The Moonlight Awards
Aaron Keck
48 episodes
9 months ago
Was 1975 the best year ever for movies? Everybody says 1939, but you can make a very strong case that film hit its peak right here. Tarkovsky triumped with Mirror; Steven Spielberg dropped Jaws; Stanley Kubrick returned with Barry Lyndon; Dog One Flew Over the Cuckoo's Nest swept the Oscars; Monty Python and Rocky Horror redefined the comedy, the musical, and the cult classic - and hovering above them all is Chantal Akerman's fascinating, hypnotic Jeanne Dielman, just feted by Sight & Sou...
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Film History
Arts,
TV & Film
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All content for The Moonlight Awards is the property of Aaron Keck and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Was 1975 the best year ever for movies? Everybody says 1939, but you can make a very strong case that film hit its peak right here. Tarkovsky triumped with Mirror; Steven Spielberg dropped Jaws; Stanley Kubrick returned with Barry Lyndon; Dog One Flew Over the Cuckoo's Nest swept the Oscars; Monty Python and Rocky Horror redefined the comedy, the musical, and the cult classic - and hovering above them all is Chantal Akerman's fascinating, hypnotic Jeanne Dielman, just feted by Sight & Sou...
Show more...
Film History
Arts,
TV & Film
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The Moonlight Awards: 1973
The Moonlight Awards
1 hour 15 minutes
2 years ago
The Moonlight Awards: 1973
It's 1973, and it's a rough time in world and U.S. history. The Vietnam War is still raging, there's a massive oil shortage, and crime is rampant - even in the White House. So it's no surprise that our top films of '73 share a sort of unease about the present, channeled into horror (The Exorcist) or cynicism (Mean Streets) or nostalgia for the past (American Graffiti). They have that much in common - but which one film best stands the test of time? Join Rachel Schaevitz and Aaron Keck as...
The Moonlight Awards
Was 1975 the best year ever for movies? Everybody says 1939, but you can make a very strong case that film hit its peak right here. Tarkovsky triumped with Mirror; Steven Spielberg dropped Jaws; Stanley Kubrick returned with Barry Lyndon; Dog One Flew Over the Cuckoo's Nest swept the Oscars; Monty Python and Rocky Horror redefined the comedy, the musical, and the cult classic - and hovering above them all is Chantal Akerman's fascinating, hypnotic Jeanne Dielman, just feted by Sight & Sou...