It's 1967, and the film world is about to be conquered by the New Hollywood: a new generation of young American actors and directors, influenced by the French New Wave, galvanized by tumultuous cultural and political movements, and liberated by the collapse of the stifling Hays code. This year, "the curve comes to reassert itself over the straight line," as the critic Philip Kemp said about "Playtime": norms and mores are violated, elites are exposed, marriages are exploded, weddings are disr...