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The Moonlight Awards
Aaron Keck
48 episodes
9 months ago
Was 1975 the best year ever for movies? Everybody says 1939, but you can make a very strong case that film hit its peak right here. Tarkovsky triumped with Mirror; Steven Spielberg dropped Jaws; Stanley Kubrick returned with Barry Lyndon; Dog One Flew Over the Cuckoo's Nest swept the Oscars; Monty Python and Rocky Horror redefined the comedy, the musical, and the cult classic - and hovering above them all is Chantal Akerman's fascinating, hypnotic Jeanne Dielman, just feted by Sight & Sou...
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Film History
Arts,
TV & Film
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All content for The Moonlight Awards is the property of Aaron Keck and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Was 1975 the best year ever for movies? Everybody says 1939, but you can make a very strong case that film hit its peak right here. Tarkovsky triumped with Mirror; Steven Spielberg dropped Jaws; Stanley Kubrick returned with Barry Lyndon; Dog One Flew Over the Cuckoo's Nest swept the Oscars; Monty Python and Rocky Horror redefined the comedy, the musical, and the cult classic - and hovering above them all is Chantal Akerman's fascinating, hypnotic Jeanne Dielman, just feted by Sight & Sou...
Show more...
Film History
Arts,
TV & Film
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The Moonlight Awards: 1957
The Moonlight Awards
58 minutes
4 years ago
The Moonlight Awards: 1957
In film history, there are certain years that stand out. 1939 may be the most famous example, but there are some years that shine even brighter than that. We've arrived at 1957, arguably the best year ever for movies - with two classic war movies, possibly the greatest courtroom drama of all time, masterpieces by Kubrick and Fellini and Kurosawa - and not one but two all-timers from Ingmar Bergman, who might have had the best year ever for a film director. But which one film, out of all those...
The Moonlight Awards
Was 1975 the best year ever for movies? Everybody says 1939, but you can make a very strong case that film hit its peak right here. Tarkovsky triumped with Mirror; Steven Spielberg dropped Jaws; Stanley Kubrick returned with Barry Lyndon; Dog One Flew Over the Cuckoo's Nest swept the Oscars; Monty Python and Rocky Horror redefined the comedy, the musical, and the cult classic - and hovering above them all is Chantal Akerman's fascinating, hypnotic Jeanne Dielman, just feted by Sight & Sou...