This week we venture into the Latin American avant garde with Vicente Huidobro’s Non Serviam. The first of several manifestos establishing the artist’s Creacionismo (Creationism), a novel approach to poetry that radically leaves behind all pretences to naturalism. Ostensibly written in 1916, Non Serviam, becomes popular in the Paris of the early 1920s when Huidobro meets Picasso, Ersnt, Gris, Reverdy, and Apollinaire among others. This is the first in a series of episodes on lesser known manifestos in the english speaking world.
Our intro music is by Aron Gyenge, whom we greatly thank.
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This week we venture into the Latin American avant garde with Vicente Huidobro’s Non Serviam. The first of several manifestos establishing the artist’s Creacionismo (Creationism), a novel approach to poetry that radically leaves behind all pretences to naturalism. Ostensibly written in 1916, Non Serviam, becomes popular in the Paris of the early 1920s when Huidobro meets Picasso, Ersnt, Gris, Reverdy, and Apollinaire among others. This is the first in a series of episodes on lesser known manifestos in the english speaking world.
Our intro music is by Aron Gyenge, whom we greatly thank.
Follow us on: Instagram @themanifestimagepodcast
And support us on: ko-fi.com/themanifestimage
In this episode we look at The Exhibitors to the Public written in 1911 by Umberto Boccioni. The English version we read is from the catalogue of The Exhibition of Works by the Italian Futurist Painters at the Sackville Gallery, London. The text presents new concepts like physical transcendentalism and futuristic primitivism and primes viewers for the novel paintings they are about to see. The texts also defend the Futurists against claims of latent academism in their work.
Follow us on: Instagram @themanifestimagepodcast
And support us on: ko-fi.com/themanifestimage
The Manifest Image
This week we venture into the Latin American avant garde with Vicente Huidobro’s Non Serviam. The first of several manifestos establishing the artist’s Creacionismo (Creationism), a novel approach to poetry that radically leaves behind all pretences to naturalism. Ostensibly written in 1916, Non Serviam, becomes popular in the Paris of the early 1920s when Huidobro meets Picasso, Ersnt, Gris, Reverdy, and Apollinaire among others. This is the first in a series of episodes on lesser known manifestos in the english speaking world.
Our intro music is by Aron Gyenge, whom we greatly thank.
Follow us on: Instagram @themanifestimagepodcast
And support us on: ko-fi.com/themanifestimage
