In the Tamil-language film Maareesan, the plot twist comes not at the end, but midway through. 

We talk about the sudden change in tone, and how the film handles it. We also discuss Fahadh Faasil’s comedic performance, and wonder why the film is presented through the perspective of his character.

But mainly, we talk about the film’s shady morality, which seems to champion extrajudicial killings if the cause is perceived as noble enough.

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