For years, I had searched for the perfect lens-sensor combination; a lens and camera duo that would produce a beautiful image with few adjustments and little post-processing. It would look REAL straight out of camera (SOOC) and be everything I needed and wanted in a camera system. However, as I tested each pair, they all told a different story, and would deliver light to the sensor differently. So, I began tweaking settings, jotting down notes (on index cards) for each lens-sensor combination I tried. I soon realized I needed a database to access all my settings & LUTs, and created my website.
All content for The Lens-Sensor Recipes Podcast is the property of SilverLight Photo Co. and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
For years, I had searched for the perfect lens-sensor combination; a lens and camera duo that would produce a beautiful image with few adjustments and little post-processing. It would look REAL straight out of camera (SOOC) and be everything I needed and wanted in a camera system. However, as I tested each pair, they all told a different story, and would deliver light to the sensor differently. So, I began tweaking settings, jotting down notes (on index cards) for each lens-sensor combination I tried. I soon realized I needed a database to access all my settings & LUTs, and created my website.
AI for AUDIO is here, and so far I don't like it. If you've ever taken pictures with a "smart" phone that uses AI to (automatically) processes the image, and you don't have any control over how much SHARPNESS, CONTRAST, COLOR it adds, then you can start to imagine how bad AI for AUDIO can be.
SETTINGS: This podcast was recorded using a Rode VideoMicro + Comica Dual Lav going into a Zoom F2-BT, at the "CLOSE" proximity.
The Lens-Sensor Recipes Podcast
For years, I had searched for the perfect lens-sensor combination; a lens and camera duo that would produce a beautiful image with few adjustments and little post-processing. It would look REAL straight out of camera (SOOC) and be everything I needed and wanted in a camera system. However, as I tested each pair, they all told a different story, and would deliver light to the sensor differently. So, I began tweaking settings, jotting down notes (on index cards) for each lens-sensor combination I tried. I soon realized I needed a database to access all my settings & LUTs, and created my website.
