Jazz is a conversation — and that’s what The Late Set is all about. Nate Chinen and Josh Jackson convene every two weeks for straight talk and in-depth interviews with featured guests. Just like a hang at the end of the gig, in the back of the club, it’s direct, unfiltered and illuminating, revealing the music and its culture in a deeper light.
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Jazz is a conversation — and that’s what The Late Set is all about. Nate Chinen and Josh Jackson convene every two weeks for straight talk and in-depth interviews with featured guests. Just like a hang at the end of the gig, in the back of the club, it’s direct, unfiltered and illuminating, revealing the music and its culture in a deeper light.
Growing up in the Ramblewood area of northeast Baltimore, Brandon Woody could hardly have envisioned a future as one of the most heralded young trumpeter-bandleaders in jazz. But he dared to dream beyond what he could see — even after dropping out of college in New York. His 2025 Blue Note debut, For the Love of It All, introduces a powerfully emotive artist and a committed working band, Upendo, primed to represent their hometown. Woody sat down with The Late Set just after a set at the Exit Zero Jazz Festival, ready to open up and dig in.
The Late Set
Jazz is a conversation — and that’s what The Late Set is all about. Nate Chinen and Josh Jackson convene every two weeks for straight talk and in-depth interviews with featured guests. Just like a hang at the end of the gig, in the back of the club, it’s direct, unfiltered and illuminating, revealing the music and its culture in a deeper light.
