Ep. 359: Ira Sachs on Peter Hujar’s Day
Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I spoke with filmmaker Ira Sachs about his latest movie, Peter Hujar’s Day. It’s a fascinating chronicle of a 1974 conversation between New York photographer Peter Hujar and writer Linda Rosenkrantz, whose asks Hujar to recount a day in his life in great detail, including visits by friends, an encounter with Allen Ginsberg (whom The New York Times assigned him to photograph for a portrait), Chinese food orders, and much else. Based on actual transcripts, it’s a beautiful demonstration of craft—the actors’, and the photographer and writer they play. Sachs talked about making the film with Whishaw and Hall, the apartment they shot in, the directors whose work inspired him, and the new movie he has been shooting.
Peter Hujar’s Day is in theaters now.
Please support the production of this podcast by signing up at:
rapold.substack.com
Photo by Steve Snodgrass
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Ep. 359: Ira Sachs on Peter Hujar’s Day
Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I spoke with filmmaker Ira Sachs about his latest movie, Peter Hujar’s Day. It’s a fascinating chronicle of a 1974 conversation between New York photographer Peter Hujar and writer Linda Rosenkrantz, whose asks Hujar to recount a day in his life in great detail, including visits by friends, an encounter with Allen Ginsberg (whom The New York Times assigned him to photograph for a portrait), Chinese food orders, and much else. Based on actual transcripts, it’s a beautiful demonstration of craft—the actors’, and the photographer and writer they play. Sachs talked about making the film with Whishaw and Hall, the apartment they shot in, the directors whose work inspired him, and the new movie he has been shooting.
Peter Hujar’s Day is in theaters now.
Please support the production of this podcast by signing up at:
rapold.substack.com
Photo by Steve Snodgrass
Ep. 349: Toronto 2025: Edo Choi on The Christophers, Wavelengths, The Currents, Two Pianos, Nouvelle Vague, plus Tuner
The Last Thing I Saw
39 minutes 48 seconds
2 months ago
Ep. 349: Toronto 2025: Edo Choi on The Christophers, Wavelengths, The Currents, Two Pianos, Nouvelle Vague, plus Tuner
Ep. 349: Toronto 2025: Edo Choi on The Christophers, Wavelengths, The Currents, Two Pianos, Nouvelle Vague, plus Tuner
Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 50th edition of the Toronto International Film Festival had far too many movies for a single episode, and so I’m happy to talk through more titles with Edo Choi, film programmer at Metrograph. Among the films discussed are The Christophers (directed by Steven Soderbergh), Two Pianos (Arnaud Desplechin), The Currents (Milagros Mumenthaler), Nouvelle Vague (Richard Linklater), Tuner (Daniel Roher), and a few highlights from the Wavelengths section: Morgenkreis (Basma al-Sharif), CONFERENCE (Björn Kämmerer), Rojo Zalia Blau (Viktoria Schmid), and FELT (Blake Williams).
Please support the production of this podcast by signing up at:
rapold.substack.com
Photo by Steve Snodgrass
The Last Thing I Saw
Ep. 359: Ira Sachs on Peter Hujar’s Day
Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I spoke with filmmaker Ira Sachs about his latest movie, Peter Hujar’s Day. It’s a fascinating chronicle of a 1974 conversation between New York photographer Peter Hujar and writer Linda Rosenkrantz, whose asks Hujar to recount a day in his life in great detail, including visits by friends, an encounter with Allen Ginsberg (whom The New York Times assigned him to photograph for a portrait), Chinese food orders, and much else. Based on actual transcripts, it’s a beautiful demonstration of craft—the actors’, and the photographer and writer they play. Sachs talked about making the film with Whishaw and Hall, the apartment they shot in, the directors whose work inspired him, and the new movie he has been shooting.
Peter Hujar’s Day is in theaters now.
Please support the production of this podcast by signing up at:
rapold.substack.com
Photo by Steve Snodgrass
