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The Last Thing I Saw
Nicolas Rapold
340 episodes
3 days ago
Ep. 340: Ehsan Khoshbakht on Great Expectations, the British retrospective of Locarno 2025 Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I’m reporting from the Locarno film festival, where the annual retrospective has once again been quite popular. So I couldn’t pass up the opportunity to speak with the retrospective’s programmer, Ehsan Khoshbakht, who also co-directs Il Cinema Ritrovato in Bologna and also curated Locarno’s 2024 tribute to Columbia Pictures. Khoshbakht explains the basis of the series, providing fascinating insights into what fueled British postwar cinema, crosscurrents with other cinemas, and the thought processes behind film programming. Among the titles discussed (adding new ones to those already discussed on the podcast): Locarno’s 1952 Golden Leopard winner Hunted (directed by Charles Crichton), It Always Rains on Sunday (Robert Hamer), The Woman in Question (Anthony Asquith), as well as a look at the director Jack Lee (Turn the Key Softly). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
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TV & Film
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Ep. 340: Ehsan Khoshbakht on Great Expectations, the British retrospective of Locarno 2025 Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I’m reporting from the Locarno film festival, where the annual retrospective has once again been quite popular. So I couldn’t pass up the opportunity to speak with the retrospective’s programmer, Ehsan Khoshbakht, who also co-directs Il Cinema Ritrovato in Bologna and also curated Locarno’s 2024 tribute to Columbia Pictures. Khoshbakht explains the basis of the series, providing fascinating insights into what fueled British postwar cinema, crosscurrents with other cinemas, and the thought processes behind film programming. Among the titles discussed (adding new ones to those already discussed on the podcast): Locarno’s 1952 Golden Leopard winner Hunted (directed by Charles Crichton), It Always Rains on Sunday (Robert Hamer), The Woman in Question (Anthony Asquith), as well as a look at the director Jack Lee (Turn the Key Softly). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
Show more...
TV & Film
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Ep. 329: Edo Choi on Mikio Naruse at Metrograph: When a Woman Ascends the Stairs and more
The Last Thing I Saw
44 minutes 48 seconds
2 months ago
Ep. 329: Edo Choi on Mikio Naruse at Metrograph: When a Woman Ascends the Stairs and more
Ep. 329: Edo Choi on Mikio Naruse at Metrograph: When a Woman Ascends the Stairs, Scattered Clouds, Wife! Be Like a Rose!, and more Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. There are retrospectives that remain close to one’s heart and for me, one such was an immersion in Mikio Naruse’s work many years ago at Film Forum. Fortunately, film history can repeat itself in a good way: Metrograph and Japan Society have teamed up for a Naruse retrospective on his 120th anniversary. I spoke with Edo Choi, a film programmer at Metrograph and past guest on the program, about Naruse’s rich and perhaps still underappreciated body of work, as well as its context within Japanese cinema. Among the films discussed: When a Woman Ascends the Stairs, Wife! Be Like a Rose!, Floating Clouds, and perhaps one of the great swan songs, Scattered Clouds, before Naruse’s death in 1969. Mikio Naruse: The World Betrays Us continues through the end of the month at Metrograph. For listeners outside of New York, select films are available on the Criterion Channel. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
The Last Thing I Saw
Ep. 340: Ehsan Khoshbakht on Great Expectations, the British retrospective of Locarno 2025 Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I’m reporting from the Locarno film festival, where the annual retrospective has once again been quite popular. So I couldn’t pass up the opportunity to speak with the retrospective’s programmer, Ehsan Khoshbakht, who also co-directs Il Cinema Ritrovato in Bologna and also curated Locarno’s 2024 tribute to Columbia Pictures. Khoshbakht explains the basis of the series, providing fascinating insights into what fueled British postwar cinema, crosscurrents with other cinemas, and the thought processes behind film programming. Among the titles discussed (adding new ones to those already discussed on the podcast): Locarno’s 1952 Golden Leopard winner Hunted (directed by Charles Crichton), It Always Rains on Sunday (Robert Hamer), The Woman in Question (Anthony Asquith), as well as a look at the director Jack Lee (Turn the Key Softly). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass