W. Eugene Smith was a famous photo essayist for LIFE magazine and a suburban family man when he left it all in 1957 and moved to a rundown loft in Manhattan. The building had already become a popular hangout and jamming space for jazz players both prominent and obscure, and Smith spent the next decade documenting the music, conversations and personalities that passed through. This program, produced and hosted by Sara Fishko and originally heard as a 10-part radio series in 2009, pulls from the 4,000 hours of audio Smith recorded.
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W. Eugene Smith was a famous photo essayist for LIFE magazine and a suburban family man when he left it all in 1957 and moved to a rundown loft in Manhattan. The building had already become a popular hangout and jamming space for jazz players both prominent and obscure, and Smith spent the next decade documenting the music, conversations and personalities that passed through. This program, produced and hosted by Sara Fishko and originally heard as a 10-part radio series in 2009, pulls from the 4,000 hours of audio Smith recorded.
In the early mornings, as each all-night jam session at the loft came to a close, musicians stumbled out into the fragrant air of the surrounding flower shops. For W. Eugene Smith, the Flower District was more than a neighborhood -- it was an obsession, and a subject crucial to his evolution as a photographer and an artist. This episode explores the peculiar harmony of a neighborhood that bustled with flower merchants by day and cleared out by night, giving jazz musicians the place all to themselves.
The Jazz Loft Radio Series
W. Eugene Smith was a famous photo essayist for LIFE magazine and a suburban family man when he left it all in 1957 and moved to a rundown loft in Manhattan. The building had already become a popular hangout and jamming space for jazz players both prominent and obscure, and Smith spent the next decade documenting the music, conversations and personalities that passed through. This program, produced and hosted by Sara Fishko and originally heard as a 10-part radio series in 2009, pulls from the 4,000 hours of audio Smith recorded.
