We discuss the history and meaning of this oft-adapted myth, and what drew both writers to it. We delve into their creative process, and discover why Sarah chose to make some key changes to the story and characters. We also get a peek into how the two adapted Sarah’s original play into the current libretto, and how Matthew approached setting her text to music. It’s fascinating to hear about the piece’s long journey from its creation to its premiere at LA Opera with Mary Zimmerman directing, to the current remount at the Met. Both writers also have new books out, which should be on everyone’s reading list. Don’t miss this captivating conversation with two of opera’s most vital and thrilling creators.