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The How NOT To Make A Movie Podcast
A L Katz
21 episodes
6 months ago
Now in our FOURTH SEASON! Join us for a deep, inside baseball, nuts-n-bolts dive into the creative process. Guests include actors like MALCOLM MCDOWELL and BRANDON ROUTH, writers LARRY WILSON (BEETLEJUICE) and CY VORIS & ETHAN REIFF (DEMON KNIGHT) and everyone I know who's ever collaborated to create content. We talk a lot about TALES FROM THE CRYPT and why, in so many ways, that epitomized the creative process at its best... and why Bordello Of Blood was its antithesis. Talk about how NEVER to make a movie!

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Hosted on Acast. See acast.com/privacy for more information.

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Now in our FOURTH SEASON! Join us for a deep, inside baseball, nuts-n-bolts dive into the creative process. Guests include actors like MALCOLM MCDOWELL and BRANDON ROUTH, writers LARRY WILSON (BEETLEJUICE) and CY VORIS & ETHAN REIFF (DEMON KNIGHT) and everyone I know who's ever collaborated to create content. We talk a lot about TALES FROM THE CRYPT and why, in so many ways, that epitomized the creative process at its best... and why Bordello Of Blood was its antithesis. Talk about how NEVER to make a movie!

Get bonus content on Patreon

Hosted on Acast. See acast.com/privacy for more information.

Show more...
Arts
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The Cutting Room Floor
The How NOT To Make A Movie Podcast
59 minutes 13 seconds
3 years ago
The Cutting Room Floor

THE BLURB: You've heard the Frankenstein's monster story, now stick around for a look at all the spare body parts that didn't make the cut (as it were). There's even MORE to the Bordello Of Blood saga!


SHOW NOTES

The Cutting Room Floor is legendary in Hollywood. Whole careers have happened there. In fact, there's a whole weird history in Hollywood of scenes and actors who famously never made "the cut". Kevin Costner, for instance, was entirely cut out of "The Big Chill".


Video and DVD's changed everything. One could rent or buy the studio's cut or "The Director's Cut". Finally, the director could put out the extended movie they envisioned with all the scenes the studio cut out. Often that was great. Sometimes though you saw the studio's wisdom.


Film v Video

Back then, we shot on film, cut on digital then transferred back to film for the release. Digital editing began in 1985 when Quantel produced its limited "Harry" compositor. Things got rolling two years later (1987) when Avid released its Avid/1 Media Composer. Cutting on video was revolutionary of course. You could see dissolves and freeze frames in real time. Before, you'd see dissolves laid out in yellow grease paint drawn across the literal film.

Filming the movie gets all the attention. But, it won't be until we deliver all the filmed footage to the editing suite - and the editor performs their magic - that it will become "a movie". Or a TV show.


And it can blow your mind what exactly can happen in an editing suite. There's a story in this episode about executive producer Bob Zemeckis cobbling together a scene we never shot. He took scraps from the cutting room floor to imply a lesbian sexual encounter between Angie's character and Erika's. One pickup shot was all it took to marry it all together in the audience's head.


That simple cross (filmed using two extras instead of the actors) ties it together perfectly. It really is like seeing how magic tricks work. And at the hands of a magician - our boss Bob Zemeckis.


In a sense, this episode really is a monster made up of spare parts - rescued from the cutting room floor But, don't be afraid! It won't hurt you. Much..



Get bonus content on Patreon

Hosted on Acast. See acast.com/privacy for more information.

The How NOT To Make A Movie Podcast
Now in our FOURTH SEASON! Join us for a deep, inside baseball, nuts-n-bolts dive into the creative process. Guests include actors like MALCOLM MCDOWELL and BRANDON ROUTH, writers LARRY WILSON (BEETLEJUICE) and CY VORIS & ETHAN REIFF (DEMON KNIGHT) and everyone I know who's ever collaborated to create content. We talk a lot about TALES FROM THE CRYPT and why, in so many ways, that epitomized the creative process at its best... and why Bordello Of Blood was its antithesis. Talk about how NEVER to make a movie!

Get bonus content on Patreon

Hosted on Acast. See acast.com/privacy for more information.