We all love improvised music, but are we in danger of becoming musical re-enactors of the past?
Are we celebrating continued creativity, or are we celebrating nostalgic acting?
Musician Reed Mathis draws on 30 years of relationships to creatives of every stripe in a series of musical conversations, exploring together the hope in the new, and the fear of the new, often through the lens of Bob Dylan's stellar example.
We need the Gifts of Improvising!
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We all love improvised music, but are we in danger of becoming musical re-enactors of the past?
Are we celebrating continued creativity, or are we celebrating nostalgic acting?
Musician Reed Mathis draws on 30 years of relationships to creatives of every stripe in a series of musical conversations, exploring together the hope in the new, and the fear of the new, often through the lens of Bob Dylan's stellar example.
We need the Gifts of Improvising!
Reed and Ween/JRAD bassist Dave Dreiwitz remember and honor Grateful Dead bassist Phil Lesh, and Dave describes his mom's tuba lessons.
The Gifts of Improvising
We all love improvised music, but are we in danger of becoming musical re-enactors of the past?
Are we celebrating continued creativity, or are we celebrating nostalgic acting?
Musician Reed Mathis draws on 30 years of relationships to creatives of every stripe in a series of musical conversations, exploring together the hope in the new, and the fear of the new, often through the lens of Bob Dylan's stellar example.
We need the Gifts of Improvising!
