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The Full Stop Podcast
Full Stop
16 episodes
4 days ago
Founded in January of 2011, Full Stop focuses on debuts, works in translation, and books published by small presses. We believe that books exist in a supercollider, that their meaning and significance arise from high-energy collisions with the people and cultures that read, write, and share them. In an often insular and oscillating field, we seek to highlight the unknown, the precarious, and the as-yet unrealized.
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All content for The Full Stop Podcast is the property of Full Stop and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Founded in January of 2011, Full Stop focuses on debuts, works in translation, and books published by small presses. We believe that books exist in a supercollider, that their meaning and significance arise from high-energy collisions with the people and cultures that read, write, and share them. In an often insular and oscillating field, we seek to highlight the unknown, the precarious, and the as-yet unrealized.
Show more...
Books
Arts
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Podcast #13 – Greg Gerke & Gabriel Blackwell
The Full Stop Podcast
1 hour 2 minutes 54 seconds
4 years ago
Podcast #13 – Greg Gerke & Gabriel Blackwell
On this new episode of the Full Stop podcast, we’re featuring an interview between fiction writer and critic Greg Gerke, and writer and editor Gabriel Blackwell. Gerke’s essay “An Adultery” ran on Full Stop last year, and he’s the author of See What I See, a book of essays, and Especially the Bad Things, a collection of short stories, both published by Splice. An expanded version of See What I See is out now. Blackwell is the author most recently of CORRECTION, which contains 101 short story-essays. Or something approaching that. It’s pretty experimental.
The Full Stop Podcast
Founded in January of 2011, Full Stop focuses on debuts, works in translation, and books published by small presses. We believe that books exist in a supercollider, that their meaning and significance arise from high-energy collisions with the people and cultures that read, write, and share them. In an often insular and oscillating field, we seek to highlight the unknown, the precarious, and the as-yet unrealized.