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The Film We Can't See
BBC Radio 4 Extra
7 episodes
9 months ago

Adam Zmith has found some lost sound recordings from 1930. As he listens to this archive of intriguing noises, he imagines a film that could have changed the world.

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All content for The Film We Can't See is the property of BBC Radio 4 Extra and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.

Adam Zmith has found some lost sound recordings from 1930. As he listens to this archive of intriguing noises, he imagines a film that could have changed the world.

Show more...
Society & Culture
History
https://is1-ssl.mzstatic.com/image/thumb/Podcasts122/v4/e0/e2/e4/e0e2e4dc-5e54-f287-43af-2d98d93c2cf7/mza_15646761613465474062.jpg/600x600bb.jpg
4. Gossip, Revolution and a Censored Kiss
The Film We Can't See
49 minutes
3 years ago
4. Gossip, Revolution and a Censored Kiss

Adam’s investigation into the lost sound archive prompts him to watch Mädchen in Uniform, a lesbian high school dramedy from 1931. He learns all about how the film was nearly lost forever, and its significance today is explained to him by Camilla Baier and Rachel Pronger from Invisible Women, a feminist film collective.

Adam also listens to the fourth sound disc - a weird multi-voice dadaist poem - and tries to imagine where that might fit into the story of the film that was never made. Perhaps it’s one of the many unrealised projects of Paul Robeson, the actor and singer who fought racism and fascism while performing for audiences around the world. Paul’s own stories of censorship and racism inspire So Mayer, the writer and researcher, to take Adam on a visit to a historical location, the Savoy Hotel. Here they meet actors Ashleigh Wilder and Emeric Bernard-Jones. Over cocktails they pick up Paul’s story, linking past and present in a story of how our genders and sexualities influence how people perceive us all.

This episode contains audio from: Clip from Monitor interview with Paul Robeson courtesy of BBC Clip from newsreel about Paul Robeson concert courtesy of BBC Sound effects from Freesound and BBC

And quotes from: ‘What Shall You Do In the War?’ by Bryher, in Close Up magazine, June 1933 Letter from Paul Robeson to James Marley, reprinted on The Guardian website, 2019 Paul Robeson, quoted by Martin Bauml Duberman in Paul Robeson, Ballantine Books, 1989

Credits: Written, produced and edited by Adam Zmith With story by So Mayer and Adam Zmith Starring Anton Blake Horowitz Ashleigh Wilder as Paul Robeson and themself, thanks to Queer House Emeric Bernard-Jones as Paul Robeson and himself, thanks to Trans+ on Screen, an organisation representing trans, non-binary and gender non-conforming professionals in film and TV on a business model which challenges industry norms Music by Courtney Pine Assistant Producers - Tash Walker and Shivani Dave Researcher - So Mayer Audio consultant - David Pye Artwork by Danny Crossley Production Mentors - Caroline Steel and Andy King Executive Producers - Khaliq Meer and Leanne Alie Commissioned for BBC Sounds Audio Lab by Khaliq Meer

Thanks to: Aleks Kolkowski Camilla Baier and Rachel Pronger from Invisible Women Andrew Woodyatt and everyone at the Rio Cinema Peninsula Press The BFI and the BFI National Archive Axel Kacoutié Nikki Meadows Char Boden at Queer House Alice Blanc at Trans+ on Screen Polly Pritchard and Virginia Webb at the Savoy Hotel A. De La Fe, Lori lo Bianco, Holly Murtha, Shivani Dave

The Film We Can't See

Adam Zmith has found some lost sound recordings from 1930. As he listens to this archive of intriguing noises, he imagines a film that could have changed the world.