In this episode of The Film and Furniture Podcast, host Paula Benson sits down with writer-director Gaby Dellal to explore the layered interiors, emotional undercurrents, and design-led storytelling of Park Avenue — a film where furniture, colour, and architecture become central to the drama. Starring Fiona Shaw and Katherine Waterston, Park Avenue unfolds almost entirely within a sumptuous Upper East Side apartment — a space that mirrors the characters’ secrets and histories. Dellal reveals how her dual passions for filmmaking and interior design shaped every detail, from the inky walls and copper pans to the sound of heels on marble. 🎯 Episode Highlights 🏙️ A Love Letter to New York “It’s really a love letter to New York,” Dellal tells us. From marble lobbies to the rituals of Park Avenue doormen, she captures the rhythm and romance of the city’s grandest old buildings. 🎨 A Director with a Designer’s Eye Dellal, also an interior designer with her own studio Create, discusses how designing kitchens and film sets feed one another creatively. Many of the film’s pieces — rugs, ceramics, even the pink silk headboard — came from her own home. 🏠 The Apartment as Character Working with production designer Katie Fleming, Dellal transformed a run-down rental into a believable Upper East Side home layered with history. Dark blue-green walls, worn timber floors, apricot sheers, and antique furniture tell the story of Kit’s world — cultured, chaotic, and deeply human. 🪞 Objects That Speak From masks symbolising identity to inherited rings and cardigans, Park Avenue treats décor as biography. “Families repeat habits through generations,” says Dellal. “It’s how love and memory survive.” 🛋️ Rooms with Purpose • Living Room: A grand piano and an Eames Lounge Chair anchor a space of both status and solace. • Dining Room: A wall of dark Hague Blue frames Chinese masks and a long mahogany table used for painting, writing, and reconciliation. • Kitchen: Blue walls, freestanding cabinetry, copper pans, and everyday tools on show — a lived-in heart of the home. • Bedroom: Near-black walls, apricot drapes and a distressed pink headboard embody intimacy, wear and memory. 🎧 The Building’s Voice “Every old New York building has its own soundtrack,” Dellal says. She recorded real sounds — heating pipes, running water, lift doors — to create an aural heartbeat for the film. 💡 Constraint as Creativity A small budget forced innovation: repurposed furnishings, natural light, and interconnecting rooms lent realism and intimacy. “We couldn’t afford perfection,” Dellal said. “So we chased truth instead.” 🎭 Guest & Host Info Guest: Gaby Dellal — Writer and Director (Park Avenue, 3 Generations, On a Clear Day, Leaving) Host: Paula Benson — Founder and Editor of Film and Furniture 🎞️ Designers, Furniture & Influences Mentioned • Charles & Ray Eames – Lounge Chair and Ottoman • Farrow & Ball – Hague Blue paint • BDDW – Ceramics and crockery • Larry Clark – Black and white photography • Jenny Scobel, Eli Tamarkin – Artwork in Kit’s hallway • Stilnovo – Wall sconces  Create Studio – Gaby Dellal’s interior design practice 🔗 Links & Resources 🛋️ Explore furniture and décor inspired by Park Avenue📖 Read our feature article: Inside Park Avenue: A Love Letter to New York Through Design and Storytelling  📧 Join our newsletter for exclusive design stories, giveaways and more🎨 Credits Host & Editor: Paula Benson Guest: Gaby DellalGraphics: Paul West at FormWith thanks to: Gaby Dellal, Katie Fleming, and the Park Avenue production team 🔔 Don’t forget to like, subscribe and share with fellow lovers of film, design and storytelling!

Episode Summary: In this episode of The Film and Furniture Podcast, host Paula Benson sits down with Severance Season 2 set decorator David Schlesinger to explore the unnerving design language of Apple TV+’s hit series.Fresh from the show’s Emmy win for production design, Schlesinger shares how the interiors of Lumon Industries—and the contrasting “outie” world—were meticulously crafted to be as mysterious and important as the story itself. From the Warren Platner desk that became the “design DNA” of the series, to Dieter Rams’ Braun stereo, Joe Colombo’s plastic futurism, and the uncanny Christmas tree duplication, every detail reinforces Lumon’s ideology and the characters’ lives beyond it.🎯 Episode Highlights🏢 Lumon HeadquartersDiscover how green carpets, anonymous desks, and endless corridors were used as psychological tools to create sameness and disorientation.🪑 Furniture as IdeologyHear how classics like Dieter Rams’ Vitsoe 620 Chair Programme, Joe Colombo’s Universale Chair, and Shiro Kuramata’s Apple Honey Chairs were transformed into instruments of control.🖋️ The Desk That Defined the ShowThe Warren Platner desk in the Management Office became a lynchpin: its sculptural base and Saarinen lineage seeded the entire visual vocabulary of Severance.🎄 The Christmas Tree DuplicationWhy a 3D-printed green Lumon tree on the Testing Floor was mirrored by a live tree in Mark and Gemma’s home—revealing Lumon’s reach “everywhere.”🏠 The Outie WorldStep into Devon and Ricken’s warm mid-century haven, Mark and Gemma’s grief-stricken home, the icy Eagan mansion, and the folkloric Birthing Cabin—each a study in personality, ideology, and myth.🧠 Behind the ScenesDavid reveals how entire libraries were sourced from retiring Russian professors, why he imagined a “severed set decorator” working for Lumon, and how even the smallest objects were reimagined through the lens of control.🎭 Guest & Host InfoGuest: David Schlesinger – Set Decorator (Severance Season 2, Knives Out, John Wick 2 & 3, House of Dynamite)Host: Paula Benson – Founder and Editor of Film and Furniture🎞️ Designers, Furniture & Influences Mentioned• Warren Platner – Desk (1960s)• Dieter Rams – Braun Hi-Fi Wall Unit Stereo, Vitsoe 620 Chair Programme, FS-80 television• Marc Newson – Nimrod Chair• John Pomp Studios – Rift Dining Table• Joe Colombo – Universale Chair, Coupé Wall Light, Triedro Lamp• Shiro Kuramata – Apple Honey Chair• Charles & Ray Eames – Time-Life Executive Chair• Charlotte Perriand – Consado Console• Hans Wegner – CH07 Shell Chair• Isamu Noguchi – Akari Lamps• Poul Henningsen – PH Lamp• Carlo Scarpa – Chandeliers🔗 Links & Resources🛋️ Shop furniture seen in Severance: https://filmandfurniture.com/film/severance/📖 Read our in-depth two-part features on the innie and outie worlds of Severance:https://filmandfurniture.com/features📧 Sign up for our newsletter for exclusive content and giveaways:https://filmandfurniture.com/membership📺 When to Watch/Listen to This Episode?Whether you’re a Severance fan, a mid-century modern enthusiast, or a design professional, this episode offers a rare look at how architecture and furniture can become storytelling devices. Listen before or after watching Severance for a deeper appreciation of its design legacy.🎨 Credits• Host & Editor: Paula Benson• Guest: David Schlesinger• Graphics: Paul West at Form• With thanks to: Apple TV+ and the Severance production team🔔 Don’t forget to subscribe, rate and share with fellow lovers of film, design and storytelling!

🎧 Episode Summary: In this episode of the Film and Furniture Podcast, host Paula Benson sits down with celebrated production designer Kasra Farahani to explore the bold, retrofuturist world of Fantastic Four: First Steps. Known for his work on Loki and Black Panther, Kasra brings his architectural flair and cinematic vision to Marvel’s reboot—blending mid-century modernism with sleek space-age optimism. We dive deep into the interiors of the Baxter Building, a penthouse turned family home, and the spectacular Reed Richards Lab—described as nothing less than a cathedral of science. From curved wood panelling to parabolic structures and Tulip chairs, this episode is a feast of design insight and visual imagination. 🎯 Episode Highlights 🏙️ New York, ReimaginedDiscover how Reed Richards’ birth changes the timeline—and reshapes the New York skyline into a subtle blend of classic cityscape and retrofuturist elegance. 🪑 Mid-century Meets Space AgeFarahani reveals his design “lighthouse” for the film: the refined futurism of Eero Saarinen and Oscar Niemeyer. 🔥 The Baxter ApartmentA warm, womb-like family home built inside a penthouse—with curved wood interiors, flagstone floors, sunken conversation pits and sculptural lighting. 🎛️ Furniture as StorytellingFrom Saarinen Tulip Tables to the Martinelli Cobra Lamp and Panthella lighting—every piece enhances the characters’ emotional world. 🧪 Reed’s Lab = Science CathedralA gleaming white environment inspired by 2001: A Space Odyssey, complete with red, yellow and blue zones for experimentation, contemplation and mission control. 🎨 Colour and Form as MotifExplore the layered use of primary colour zones and fluted, growing shapes—drawing on Eames palettes, Luigi Colani’s, and Cold War-era optimism. 🚗 The Fantastic CarA retrofuturist beast built to Cadillac scale—with curved surfaces, chrome fins, and just enough clunk to feel grounded in the ’60s. 🛠️ Building Worlds, LiterallyMuch of the film was physically constructed—including a vast New York streetscape and the entire Baxter Lab. 🧠 The Art of Big Picture ThinkingKasra shares how experience in art direction and team leadership shapes the ability to create entire cinematic worlds. 🎭 Guest & Host Info Guest: Kasra Farahani – Production Designer (Fantastic Four: First Steps, Loki)Host: Paula Benson – Founder and Editor of Film and Furniture 🎞️ Films, Designers & Influences Mentioned Fantastic Four: First Steps (2025) 2001: A Space Odyssey Loki, Black Panther Eero Saarinen, Oscar Niemeyer, Luigi Colani Arthur Radebaugh’s Closer Than We Think Santiago Calatrava Charles & Ray Eames, Florence Knoll, Elio Martinelli, Verner Panton 🔗 Links & Resources 🛋️ Shop furniture seen in Fantastic Four: First Steps:https://filmandfurniture.com/film/the-fantastic-four-first-steps/ 📖 Read our in-depth article on the Baxter apartment and Reed Richards’ Lab (Coming soon to https://filmandfurniture.com/features/) 📧 Sign up for our newsletter for exclusive content and giveaways 📺 When to Watch/Listen to This Episode? Whether you’re a Marvel fan, mid-century modern devotee, or design professional, this episode offers a rare insight into the visual storytelling behind superhero cinema. Listen before or after watching Fantastic Four: First Steps for a deeper understanding of the film’s architecture, symbolism, and cinematic craft. 🎨 Credits Host & Editor: Paula BensonGraphics: Paul West at FormGuest: Kasra FarahaniWith thanks to: Marvel and Disney 🔔 Don’t forget to subscribe, rate and share with fellow lovers of film, design and storytelling!

Episode Summary: In this episode of the ‪@filmandfurniture Podcast, host Paula Benson sits down with filmmaker Nadia Conners, writer and director of The Uninvited, for a deeply insightful conversation about storytelling, interiors, and how architecture and décor can reflect the inner lives of characters. Set in a house in the Hollywood Hills over the course of one unsettling evening, The Uninvited is rich in emotional nuance, stylish design, and layered symbolism. Nadia reveals the real-life inspiration behind the film (an unexpected visit from a stranger during a party), shares her philosophical approach to home and identity, and confirms that she is, officially, becoming a fan of Film and Furniture! We also discover her husband—actor Walton Goggins (The White Lotus, Justified, The Hateful Eight) and star of The Uninvited—is a passionate and talented interior designer in his own right.🎯 Episode Highlights 🏡 The House as CharacterThe house in The Uninvited is more than a location—it’s a nest, a prison, and a symbol of memory, identity and passing time. 🖋️ Art Imitates LifeNadia shares the real story of a stranger walking into her own party, which became the spark for the film’s entire plot. 🎭 The Roles We PlayRose (played by Elizabeth Reaser) is a reluctant mother and hostess—caught between her past as an actress and her current role as wife and mother, explored visually through costume and setting. 🪞 Vanitas Tableaux and MetaphorFrom sculptural flowers to red velvet dresses made from theatre curtains, every item in the house carries symbolic weight. Nadia draws inspiration from vanitas paintings and the diorama-like framing of domestic life. 🛋️ Eclectic Interior DesignDiscover the film’s richly layered mix of Art Deco, mid-century, and contemporary design—featuring Mario Bellini sofas, Danish dining chairs, Sputnik chandeliers and more. 🛠️ Walton Goggins: Actor and Interior AficionadoNadia credits her husband, actor Walton Goggins, as a “genius” interior decorator—scouting antiques, sourcing rare pieces, and shaping their real-life spaces. 🎬 Designing on a BudgetShot in 15 days on a tight budget, Nadia explains how one real house served as the entire film set—and how its layout and flexibility made the storytelling possible. 📹 Beautiful SurveillanceNadia describes her approach as “beautiful surveillance”—transforming alcoves, bathrooms and closets into emotional micro-stages through framing, light and texture. 🎭 Guest & Host Info Guest: Nadia Conners – Writer and Director of The Uninvited (2024) and Co-Director of The 11th Hour (2007) Host: Paula Benson – Founder and Editor of Film and Furniture🎞️ Films & People Mentioned The Uninvited (2024) – Nadia’s narrative directorial debut.The White Lotus, Justified, The Hateful Eight – Films/TV shows starring Walton Goggins.2001: A Space Odyssey, Bergman, Woody Allen, Noah Baumbach – Creative influences discussed.   🔗 Links & Resources Read our article on The Uninvited’s house and design (Coming soon to FilmandFurniture.com) Discover furniture and décor seen in The Uninvited film: https://filmandfurniture.com/film/the-uninvited/ Sign up for our newsletter for exclusive content and giveaways: https://filmandfurniture.com/membership/ 📺 When to Watch/Listen to This Episode? This episode is perfect before or after watching The Uninvited. It contains insights that will deepen your appreciation of the film’s themes, set design, and nuanced characters. If you love film, design, or smart satire, this is one to linger on. 🎨 Credits Film and Furniture Founder and Editor: Paula BensonEpisode Video/Podcast Editor: Paula Benson Graphics: Paul West (@Form Design and Branding)With thanks to: Nadia Conners, Foton.Pictures, Rosebud Pictures, ARPR.   🔔 Don’t forget to subscribe, leave a comment, and share with fellow design and film fans! #TheUninvited #NadiaConners #FilmAndFurniture #SetDesign #InteriorDesign #ProductionDesign #WaltonGoggins

In this episode of the ‪Film and Furniture Podcast, host Paula Benson goes solo to take us on a deep dive into one of the most recognisable and discussed design elements in film history: The Shining’s hexagonal carpet. Celebrating the 45th anniversary of Stanley Kubrick’s psychological horror masterpiece, Paula reveals the story behind the infamous Overlook Hotel carpet, shares her own research journey in tracing its origins, and explains how you can bring an official version of this legendary design into your own home. Episode Highlights 🛋️ The Origins of Film and Furniture: Paula shares how The Shining’s carpet helped spark the idea for Film and Furniture, becoming a cornerstone of the site’s celebration of design in film. ⬢ The Hexagonal Carpet's Legacy: Discover how this hypnotic geometric pattern became not only synonymous with Kubrick’s film but a global design phenomenon, endlessly referenced across pop culture—from Toy Story and The Simpsons, to Ready Player One and a Gucci fashion campaign. 👀 Who Really Designed It?: Paula details her journey of discovery confirm the carpet's true designer—David Hicks, one of the most influential British interior designers of the 20th century. The pattern is officially known as Hicks’ Hexagon. ♟️ Kubrick’s Strategic Vision: How the carpet’s graphic form aligns with Kubrick’s symmetrical visual style, chess obsessions, and interest in war strategy, enhancing the sense of dread and tension in The Shining. 🧠 A Sixth Sense?: Could the hexagonal pattern be a visual metaphor for “the shine” itself—Danny’s psychic gift? Paula explores symbolism and the carpet’s unsettling presence as part of the film’s psychological power. 📚 Conspiracy Theories and Chess Moves: From shot-to-shot continuity quirks to deeper symbolic interpretations, Paula references Julie Kearns analysis of the carpet’s role in Kubrick’s visual storytelling. 🎬 Behind the Scenes: Learn more about the film’s production design by Roy Walker and art direction by Leslie Tomkins, and how film sets were built at Elstree Studios in the UK. 🛍️ How to Own The Shining Carpet: Paula reveals how Film and Furniture now supply official licensed versions of the original David Hicks design: Authentic high quality 1 ply wool, hand-tufted rugs and carpets available to the public.   🎭 Host Info Host: Paula Benson – Founder and Editor of Film and Furniture   🎞️ Films Mentioned The Shining (1980) – The subject of this episode. Toy Story, Minions, Ready Player One, The Simpsons, BoJack Horseman, Passengers, The Substance – Pop culture references to the carpet. 2001: A Space Odyssey – Chess game connection. Paths of Glory, Spartacus, Dr. Strangelove, Full Metal Jacket, Napoleon (unmade) – Kubrick’s exploration of war and strategy.   🔗 Links & Resources 🔗 Order the officially licensed Hicks’ Hexagon rugs 🔗 Order the officially licensed Hicks’ Hexagon carpet 🔗 Read our article on The Shining and the Overlook carpet 🔗 Discover the book David Hicks Scrapbooks 🔗 Explore our full collection of furniture and décor seen in films: Film and Furniture Marketplace 🔗 Sign up for our newsletter for exclusive content and giveaways   📺 When to Watch/Listen to This Episode? This episode is a perfect listen whether you’ve seen The Shining a dozen times or are just dipping your toe into Kubrick’s eerie world. It’s also a visual podcast, so feel free to watch along to see imagery and references as they’re discussed.   🎨 Credits Film and Furniture Founder/Editor: Paula BensonVideo/Podcast Editor: Paula BensonGraphics: Paul West (@Form Design and Branding)With thanks to: Warner Bros.   🔔 Don’t forget to subscribe, leave a comment, and share with fellow design and film fans!

Episode SummaryIn this episode of The Film and Furniture Podcast, host Paula Benson dives into the world of Luca Guadagnino's film Queer with production designer Stefano Baisi. Stefano shares the process of creating the film’s surreal, dreamlike film sets, where furniture, decor, and architectural elements play a significant role in telling the story. From historical research to designing imaginary worlds, this episode explores how every detail in the set contributes to the psychological depth of the film.Episode Highlights 🎥 Research and Immersion: Stefano takes us on his personal journey retracing William Lee (and William Burroughs') steps across Mexico and Ecuador to bring authenticity to Queer’s design. 🏠 The Challenge: Stefano reflects on his transition from interior architecture to production design for film, and how it shaped his approach to set design. 🎨 The Influence of art and film: Stefano discusses the influence of matte paintings by the film artist Albert Whitlock and the artists Francis Bacon, Michaël Borremans and Francis Alÿs on the film's visual language, as well as the films Naked Lunch, Blue Velvet, The Red Shoes and Black Narcissus. 🏠 Designing Lee’s Apartment: The careful crafting of Lee’s apartment, reflecting the character’s isolation and inner turmoil through furniture and set details. ⛵ Ship Ahoy Café: The design of the Ship Ahoy café, inspired by nautical themes merged with an American diner style and expat atmosphere. 🌿 Building the Jungle Set: The challenge of recreating the Ecuadorian jungle on an Italian studio lot, mixing real plants and fake foliage to create an authentic but fantastical setting. 🌙 Surreal Set Design: The process behind the dreamy, almost hallucinatory sequences in Queer, including the profound scene where the characters share a connection through ayahuasca.   🎭 Guest & Host InfoGuest: Stefano Baisi is an Italian production designer with a background in interior architecture at Luca Guadagnino's design studio.Host: Paula Benson – Founder and Editor of Film and Furniture   Films Mentioned Queer– Stefano’s work as production designer. Naked Lunch (1991) – Surrealist set design and its influence on Queer’s aesthetic. Blue Velvet (1986) – An influence on Lee’s apartment The Red Shoes - Michael Powell and Emeric Pressburger Black Narcissus (1947) - The British psychological drama film jointly written, directed and produced by Michael Powell and Emeric PressburgerLinks & Resources 🔗 Buy the Mexican Copa Chabela Cuadrada (square glass)🔗 Read the book Queer by William Burroughs🔗 Read the Film and Furniture article on Queer🔗 Books on Francis Bacon🔗 Books on the artist Michaël Borremans 🔗 Books on the artist Francis Alÿs 🔗 Discover where to find furniture and décor in film in our marketplace:  🔗 Sign up for our Newsletter for exclusive content and giveawaysWhen to Watch/Listen to This Episode?You can watch or listen to this episode before seeing the film to enhance your viewing experience. However, please note that it contains SPOILERS. If you prefer to avoid them, watch after seeing the film—it might even make you want to watch the film all over again!   🎨 Credits Film and Furniture Founder/Editor: Paula BensonPodcast Producer: Suzanne CourageVideo/Podcast Editor: Ira PutilovaGraphics: Paul West (@Form Design and Branding)With thanks to A24🔔 Don’t forget to subscribe and leave a comment!

In this episode of The Film and Furniture Podcast, host Paula Benson sits down with production designer Stanislas Reydellet to explore the striking production design of Coralie Fargeat’s The Substance. Reydellet, a key creative force behind the film, shares the details of crafting a visually immersive world—one that is both unsettling and meticulously designed. From grand, minimalistic apartments to corridors that evoke a psychological journey, this episode explores the interplay of set design, furniture, décor, colour, and symbolism in storytelling.   🎥 Episode Highlights • A visionary approach to filming The Substance—including a 110-day shoot and 20 days dedicated to microscopic details. • Elizabeth’s apartment—how its vast emptiness reflects isolation, status, and a retreat from the world. • Furniture transformations—how the evolving bed, chairs, and décor reflect shifting psychological states. • The mechanics of blood—how 2,000 litres of fake blood were engineered for one of the film’s pivotal moments. • Design influences—the impact of the Memphis Group and Ettore Sottsass on the film’s aesthetic. • A nod to The Shining—the hexagonal carpet in the TV studio corridor and how it was adapted as a subtle yet powerful homage. • The bathroom as a lightbox—inspired by Jean-Pierre Raynaud, its sterile, minimalist design heightens the film’s surrealism. • Obsessive attention to detail—from designing the perfect USB key to crafting a unique custom typeface for the film’s fictional brand. 🎭 Guest & Host Info Guest: Stanislas Reydellet – Production Designer for The Substance Host: Paula Benson – Founder and Editor of Film and Furniture   📌 Links & Resources 🔗 The official Hicks Hexagon carpet and rugs as seen in The Shining – https://filmandfurniture.com/product/the-shining-overlook-hotel-rug-hicks-hexagon-official-240-170/ 🔗 Read the article: https://filmandfurniture.com/2025/03/behind-the-scene…of-the-substance/ 🔗 Discover where to find furniture and décor in film in our marketplace: https://filmandfurniture.com/store/ 🔗 Explore the Film and Furniture features on the design, furniture, and décor of film: https://filmandfurniture.com/features/ 🔗 Sign up for our Newsletter for exclusive content and giveaways: https://filmandfurniture.com/membership/   ⏰ When to Watch/Listen to This Episode? You can watch or listen to this episode before seeing the film to enhance your viewing experience. However, please note that it contains SPOILERS. If you prefer to avoid them, watch after seeing The Substance—it might even make you want to watch the film all over again!   🎬 Films Mentioned The Substance (2024) The Shining (1980) – Kubrick’s influence, including the hexagonal carpet reference 2001: A Space Odyssey (1968) – The film’s visual language and lighting effects A Clockwork Orange (1971) – Aesthetic references in the film’s mood boards The Fly (1986) – Body horror and transformation influences Requiem for a Dream (2000) – Psychological and stylistic elements The Picture of Dorian Gray – The film’s thematic connection to identity and transformation 🎨   Credits Film and Furniture Founder/Editor: Paula Benson Podcast Producer: Suzanne Courage Video/Podcast Editor: Laura Spini Graphics: Paul West (@Form Design and Branding) With thanks to MUBI   🔔 Don’t forget to subscribe and leave a comment!

🎙️Episode Summary In this episode of The Film and Furniture Podcast, host Paula Benson takes us on a design-centric journey through the 97th Academy Awards, highlighting the nominees and winners for Best Production Design and other key categories. From the magical world of Wicked to the gothic atmosphere of Nosferatu, the futuristic landscapes of Dune Part Two, and the intensity of The Brutalist, Paula explores how these films create unforgettable worlds through design. With in-depth insights on each nominee, the conversation also touches on other notable Oscar winners Anora, Emilia Pérez and The Substance, focusing on their unique visual styles.   🍿 Episode Highlights Wicked: A deep dive into the world-building brilliance of this musical reimagining, designed by Nathan Crowley. The film's sweeping design transports audiences into a magical world, with set decorator Lee Sandeles playing a crucial role.Nosferatu: A look at Robert Eggers' gothic horror masterpiece, featuring impressive set designs by Craig Lathrop that creates authentic interiors and eerie castlesDune Part Two: Patrice Vermette, the production designer, and Shane Vieau, the set decorator, join Paula to discuss how the film's design showcases the different cultures and houses of the Dune universe.The Brutalist: A conversation on the film's striking set design by Judy Becker and Patricia Cuccia, reflecting the life of a fictional visionary architect, and inspired by the works of post-war architects like Marcel Breuer.Conclave: An exploration of this political thriller’s minimalistic, symmetrical design and bold colour palette, brought to life by production designer Suzie Davies.Other Oscar Winners: A look at Emilia Pérez, Anora, and The Substance, discussing their design choices, from gritty realism to profound cultural reflections. Host:Paula Benson – Host of The Film and Furniture Podcast and expert in film design and interiors.Mentioned Films: Wicked (Directed by John M. Chu) Nosferatu (Directed by Robert Eggers) Dune Part Two (Directed by Denis Villeneuve) The Brutalist (Directed by Brady Corbet) Conclave (Directed by Edward Berger) Emilia Perez (Directed by Jacques Audiard) Anora (Directed by Sean Baker) The Substance (Directed by Coralie Fargeat) ⏰ When to Watch/Listen This Video? You can watch or listen to this video podcast before seeing the film, and it may enhance your viewing experience. However, please note that it contains SPOILERS. If you're sensitive to them, feel free to watch it after you've seen the film—chances are, it might make you want to watch it all over again!Support the Show: If you love our podcast, please subscribe, rate, and review! It really helps us grow and continue bringing you interviews with the creative minds behind your favourite films and design.📌 Links & Resources 🔗 Explore the ⁠Film and Furniture website ⁠for many other fascinating articles on the design, furniture and décor of film🔗 Discover where to furniture and décor in film in our marketplace🔗 ⁠Sign-up to our Newsletter⁠🔗Follow us on Instagram for more design inspiration from your favourite films🔔 Subscribe for more exclusive interviews on film design, furniture, decor and set decoration!   CreditsFilm and Furniture Founder/Editor: Paula BensonSeries Podcast Producer: Suzanne CourageVideo/Podcast Editor: Paula Benson (featuring previous episodes from Laura Spini, Ira Putilova and Emma Youell).Graphics: Paul West @Form Design and Branding With thanks to all the relevant Film studios.

In this episode of The Film and Furniture Podcast, host Paula Benson sits down with the Oscar nominated production designer Craig Lathrop to explore the haunting world of Robert Eggers’ Nosferatu. They dive deep into the intricacies of world-building in gothic horror, where every detail—from furniture to lighting—plays a role in creating an atmosphere of dread and tension. Craig shares his process behind designing the set for Nosferatu, including his collaboration with set decorator Beatrice Brentnerová and director Robert Eggers. We discuss how they brought historical accuracy to life, the influence of gothic and romanticism art, and the careful attention to detail that made the world of Nosferatu so immersive and chilling. Craig also takes us behind the scenes of iconic sets like the Harding house, Orlok's castle, and the creation of the coffin and crypt. Episode Highlights ✔️ Craig Lathrop’s history of working with director Robert Eggers (The Witch, The Lighthouse, The Northman). ✔️ The creative process behind building the gothic world of Nosferatu, including designing entire towns and castles. ✔️ The influence of artists like Caspar David Friedrich on the film’s visual language. ✔️ Crafting the details of the Harding and Hutter homes, including the furniture and design elements. ✔️ The eerie design of Orlok’s castle and the thought process behind the sparse, decaying interiors. ✔️ The significance of the coffin, inspired by Polish sarcophagi, and its role in Orlok’s history. ✔️ How Nosferatu blends historical accuracy with horror, occult influences, and emotional storytelling. 🎭 Guest Info Craig Lathrop – Production Designer for Nosferatu 🎤 Host: Paula Benson – Host of The Film and Furniture Podcast 🎬 Mentioned Films: The Witch (2015) The Lighthouse (2019) The Northman (2022) Nosferatu (1922) directed by F.W. Murnau Nosferatu the Vampyre (1979) directed by Werner Herzog ⏰ When to Watch/Listen This Video? You can watch or listen to this video podcast before seeing the film, and it may enhance your viewing experience. However, please note that it contains SPOILERS. If you're sensitive to them, feel free to watch it after you've seen the film—chances are, it might make you want to watch it all over again! Support the Show: If you love our podcast, please subscribe, rate, and review! It really helps us grow and continue bringing you interviews with the creative minds behind your favourite films and design. 📌 Links & Resources 🔗 The officially licensed Hicks Hexagon rugs and carpet as seen in The Shining 🔗 ⁠Read the article⁠ 🔗 Discover furniture and décor in film in our marketplace 🔗 Explore the ⁠Film and Furniture website ⁠for many other fascinating articles on the design, furniture and décor of film 🔗 ⁠Sign-up to our Newsletter⁠ 🔔 Subscribe for more exclusive interviews on film design, furniture, decor and set decoration! Credits Film and Furniture Founder/Editor: Paula Benson Podcast Producer: Suzanne Courage Video/Podcast Editor: Laura Spini Graphics: Paul West @Form Design and Branding With thanks to Focus Features/Universal Pictures #Nosferatu #Nosferatu2024 #GothicHorror #ProductionDesign #RobertEggers #FilmAndFurniture #SetDesign #film #oscars #oscars 2025

🎙️ Episode Summary In this episode of The Film and Furniture Video Podcast, host Paula Benson chats with production designer Mark Scruton, who brings us behind the scenes of Beetlejuice Beetlejuice. Mark shares his experience collaborating with Tim Burton, the creative process behind reviving the iconic Maitland/Deetz house, and the intricate film set designs that define the film’s world. From Victorian mourning aesthetics to the challenges of designing a surreal underworld, Mark reveals how every detail contributes to the film’s rich visual storytelling. 🎬 Episode Highlights ✔️ Working with Tim Burton – How Mark has developed a strong creative rapport with the visionary director. ✔️ Recreating the Maitland/Deetz House – The challenges of bringing the iconic home back to life after 30+ years. ✔️ The House’s Evolution – How its design reflects Delia’s artistic transformation.✔️ The Black Veil Mystery – Was it real fabric or CGI? Mark spills the details. ✔️ Production Design Tricks – The use of forced perspective, surreal colour palettes, and the art of making real-world sets feel truly otherworldly. ✔️ Designing the Afterlife – How inspiration from global subway systems shaped the eerie train station. ✔️ The Importance of Physicality – Why real sets, props, and furniture enhance the performances and the film’s authenticity. 🎭 Guest Info Mark Scruton is a production designer known for his work on Beetlejuice Beetlejuice, Wednesday, and Miss Peregrine’s Home for Peculiar Children. With a deep appreciation for Tim Burton’s signature style, Mark’s designs balance gothic surrealism with practical storytelling. ⏰ When to Watch/Listen This Video? You can watch or listen to this video podcast before seeing the film, and it may enhance your viewing experience. However, please note that it contains SPOILERS. If you're sensitive to them, feel free to watch it after you've seen the film—chances are, it might make you want to watch it all over again! 📌 Links & Resources 🔗 Read the article🔗 Discover where to buy key items of furniture and décor in Beetlejuice 2 in our marketplace🔗 Explore the Film and Furniture website for many other fascinating articles on the design, furniture and décor of film 🔗 Sign-up to our Newsletter 👀 Check out the Tim Burton exhibition at the Design Museum 🔔 Subscribe for more exclusive interviews on film design, furniture, decor and set decoration! Credits Film and Furniture Founder/Editor: Paula Benson Podcast Producer: Suzanne Courage Video/Podcast Editor: Ira Putilova Graphics: Paul West @Form Design and Branding With thanks to Universal Pictures #Beetlejuice #MarkScruton #TimBurton #SetDesign #ProductionDesign #InteriorDesign #FilmDesign #BeetlejuiceBeetlejuice #SetDecoration #DesignInspiration #Architecture 

In this episode of The Film and Furniture Podcast, Paula Benson interviews production designer François Audouy about his work on A Complete Known, the film directed by James Mangold and starring Timothée Chalamet as Bob Dylan. François takes us behind the scenes of this remarkable film, which captures the cultural revolution of the early 1960s, exploring how music, art, and society collided to shape history. François shares insights into the creative process of designing iconic sets, from Bob Dylan's meticulously recreated apartment, filled with period-accurate furniture and details, to the authentic feel of iconic folk venues like Gerde’s Folk City. We also explore the homes of pivotal figures such as Joan Baez, brought to life by Jessica Chastain, and the handcrafted homages to Pete Seeger’s cabin, with François revealing how even cooking a meal on set helped create a truly lived-in atmosphere. We discuss the influence of Greenwich Village, the authenticity of the Newport and Monterey Folk Festivals, and the role of Columbia Records in showcasing Dylan's transformation as an artist. With a focus on authenticity, texture, and historical detail, François shares how his team created a world that makes you feel like you’ve stepped back in time. Listen to this episode to uncover how the design of A Complete Known brilliantly brings the spirit of the 1960s to life, and get an inside look at the world of production design for a film that immerses its audience in one of the most transformative times in American culture. When to Watch/Listen This Video? You can watch or listen to this video podcast before seeing the film, and it may enhance your viewing experience. However, please note that it contains SPOILERS. If you're sensitive to them, feel free to watch it after you've seen the film—chances are, it might make you want to watch it all over again! Don't forget to like, subscribe, and share! Links mentioned in this video: Film and Furniture website: https://filmandfurniture.com/ Find furniture, lighting and décor in this film: https://filmandfurniture.com/film/a-complete-unknown/Sign-up to our Newsletter: https://filmandfurniture.com/membership/ Read our feature: https://filmandfurniture.com/2025/02/the-times-they-were-a-changin-the-film-sets-of-a-complete-unknown/Credits Film and Furniture Founder/Editor: Paula Benson Podcast Producer: Suzanne Courage Video/Podcast Editor: Laura Spini Graphics: Paul West @Form Design and Branding With thanks to Searchlight Pictures

In this exclusive video podcast with Film and Furniture’s Paula Benson and Dune: Part Two production designer Patrice Vermette, and set decorator Shane Vieau, we reveal how the film’s designs go beyond aesthetics to reflect the cultures and identities of the film’s three primary worlds: the resilient Fremen of Arrakis, the oppressive Harkonnen of Giedi Prime, and the opulent Imperial society of Kaitain.Discover how Vermette and Vieau’s creative vision brings Denis Villeneuve’s exploration of colonialism, environmentalism, and religion to life in this extraordinary continuation of Dune’s visual and narrative storytelling.Through meticulous world-building, the design team infused the sets, furniture, and architecture with symbolism and cultural depth, blending practical craftsmanship with artistic vision.When to Watch/Listen This Video? You can watch or listen to this video podcast before seeing the film, and it may enhance your viewing experience. However, please note that it contains SPOILERS. If you're sensitive to them, feel free to watch it after you've seen the film—chances are, it might make you want to watch it all over again!Don't forget to like, subscribe, and share!Links mentioned in this video:Film and Furniture website Find furniture, lighting and décor in film: The Film and Furniture marketplace Sign-up to our NewsletterRead our feature: Design Secrets of Dune: Part Two: How Spaces Shape CulturesCredits Film and Furniture Founder and Editor: Paula Benson Podcast Producer: Suzanne Courage Video/Podcast Editor: Emma Youell Graphics: Paul West @Form Design and BrandingWith thanks to Warner Bros. Pictures

In this exclusive video podcast interview with Film and Furniture’s Paula Benson and The Brutalist's production designer Judy Becker and set decorator Patricia Cuccia, we explore the design, furniture and architecture of the film The Brutalist.Directed by actor-turned-filmmaker Brady Corbet, The Brutalist tells the story of László Tóth (Adrien Brody), a fictional Hungarian Jewish architect and furniture designer who survives the Holocaust and relocates to America in 1947 to rebuild his life. The film draws inspiration from the lives of pioneering architects and designers such as Marcel Breuer, Louis Kahn and Mies Van der Rohe.Join us as we explore the design details and furniture in The Brutalist and how they shape the narrative. We uncover how the production design team captured the essence of early Modernist and postwar designers, and the challenges they faced in crafting the world of The Brutalist.Also starring Felicity Jones as Tóth’s wife, Erzsébet, and Guy Pearce as the wealthy industrialist Harrison Lee Van Buren, this film places the creation of groundbreaking furniture and monumental architecture at its core, telling the story of one man’s resilience and vision.Don't forget to like, subscribe, and share! When to listen/watch this video podcast? You can listen/watch before seeing the film, and it may enhance your viewing experience. However, please note that it contains SPOILERS. If you're sensitive to them, feel free to watch it after you've seen the film—chances are, it might make you want to watch it all over again!Read our feature: Furniture in The Brutalist: How Early Modernist Designers Influenced a Monumental Tale Discover more and buy the furniture mentioned in this video podcast in the Film and Furniture Marketplace Sign up to our newsletter   Credits Film and Furniture Founder and Editor: Paula Benson Podcast Producer: Suzanne Courage Video/Podcast Editor: Ira Putilova Graphics: Paul West @Form Design and Branding With thanks to A24, Universal Pictures, Focus Features

The movie Wicked brings to life a magical world where both macro and micro design elements work in harmony to immerse the audience in the origin story of Elphaba (The Wicked Witch, played by Cynthia Erivo) and Galinda/Glinda (Ariana Grande). In this exclusive video podcast interview with Film and Furniture’s Paula Benson and the film's production designer Nathan Crowley, we explore the design process and reveal the intricate details of the Wicked film sets that make the movie visually spectacular. The film’s world-building draws on history, fantasy, and nostalgia, crafting a space that feels both familiar and completely new. Don't forget to like, subscribe, and share! Read our Wicked feature: Macro to Micro Magic: Behind the Film Sets of Wicked with Nathan Crowley Take a look at the Wicked book and other film related books mentioned in this podcast: Film and Furniture Marketplace: Books Sign up to our newsletter   CreditsFilm and Furniture Founder and Editor: Paula BensonPodcast Producer: Suzanne CourageVideo/Podcast Editor: Laura SpiniGraphics: Paul West @Form Design and BrandingWith thanks to Universal Pictures

Welcome to the Film and Furniture video podcast! If you’re a film fan with a passion for design, grab your headphones and/or screen, because, you’ve just found the perfect place to geek out over the magic of film design. Every episode, will take you deep into the world where cinema and design collide, with an incredible lineup of video interviews and insights that you won't want to miss! Film and Furniture is the home we created for design and film lovers like you who are hungry for all the insider information - on the big picture of how these immersive worlds are created to the details of the furniture, décor, and design elements that make film sets so stunning. Whether it’s the chairs, wallpaper, glassware, or even those carpets that make a scene pop, we uncover the stories behind these iconic items, how they came to be there —and exactly where to find them to bring a touch of the silver screen into your own home. In our world, the interiors, furniture and set decoration is the star: Far from just the background noise, we believe they tell the story. We dig deep into why these pieces and concepts were chosen for the set, what they say about the characters—and give potency to the film. Thanks to our direct line to the clever people who create these film sets and choose the items that make them, we will be bringing you behind-the-scenes industry scoops and exclusive interviews with the world’s most revered production designers and set decorators, as well as famous creatives from the wider world of design. It’s a treasure trove for anyone with a serious interest in the art of film design, so join us as we unlock the secrets behind some of the most memorable films on the Film and Furniture podcast. Don't forget to like, subscribe, and share!   Links mentioned in this episode: Website: FilmandFurniture.com Find the furniture and decor you spot in film Sign up to our newsletter   CreditsFilm and Furniture Founder and Editor: Paula Benson Podcast Producer: Suzanne Courage Video/Podcast Editors: Emma Youell, Laura Spini, Ira Putilova Graphics: Paul West @ Form With thanks to all the relevant film studios.

Join Film and Furniture’s Paula Benson and Conclave's visionary production designer Suzie Davies, for an exclusive behind-the-scenes video interview on the design of the film. This video podcast contains spoilers. Conclave, a gripping political thriller, takes audiences behind the locked doors of one of the world’s most secretive events—the election of a new Pope. Set within the Vatican’s hallowed halls and the imposing Sistine Chapel, the film is a masterclass in atmospheric production design. We explore the thought process, creativity, and intricate décor details that shapes the world of Conclave. Don't forget to like, subscribe, and share!   Read our feature: FilmandFurniture.com Take a look at the furniture and products mentioned in this feature: Conclave Sign up to our newsletter   CreditsFilm and Furniture Founder and Editor: Paula Benson Podcast Producer: Suzanne Courage Video/Podcast Editor: Laura SpiniGraphics: Paul West @Form Design and BrandingWith thanks to Focus Features