Everything we do is filtered through entertainment. If it’s not entertaining, there is a good chance that nobody is paying attention. So, to understand the world, you have to not only look at your screen but comprehend what is on it. Where does our entertainment come from? Why? How is it shaped by the world around us and how is it shaping that same world?
This is the focus of The Entertainment. Each week, Tom Knoblauch explores an element of our culture through conversations with creators and consumers of film, television, music, art, and more.
Hosted on Acast. See acast.com/privacy for more information.
Everything we do is filtered through entertainment. If it’s not entertaining, there is a good chance that nobody is paying attention. So, to understand the world, you have to not only look at your screen but comprehend what is on it. Where does our entertainment come from? Why? How is it shaped by the world around us and how is it shaping that same world?
This is the focus of The Entertainment. Each week, Tom Knoblauch explores an element of our culture through conversations with creators and consumers of film, television, music, art, and more.
Hosted on Acast. See acast.com/privacy for more information.
Last week, we started a two part series exploring the way horror films in 2024 seem to feature significant overlap, often manifesting through a woman losing control in a malicious world full of corrupt institutions and family structures imposing their will on her in uniquely horrific ways, from Immaculate to The First Omen to Longlegs, and more. The critic Vern calls this a strand of "post-Roe" horror. He means Roe v. Wade, but we saw another meaning in there in the fact that nearly every film exploring these ideas is doing so under the long shadow of 1968’s Rosemary’s Baby. The convergence of feminocentric body horror, folk horror, and Satan as a manifestation of the corrupt institutions preying on women, is, of course, nothing new in the genre. But our relationship with these ideas as viewers may be shifting in the Post-Roe world.
To get into all of this on today’s show, we have two guests, Faith Horror: Cinematic Visions of Satanism, Paganism, and Witchcraft author LMK Sheppard describing the trends from Rosemary, The Omen, and The Wicker Man leading up to today's shifts, and, later in the show, Film Streams programmer Taylor Eagan describes what she sees as a subgenre within both pre- and -post Roe horror that she calls "postpartum horror," as seen in recent films like Baby Ruby, Birth/Rebirth, and the upcoming Nightbitch.
Keep the conversation going. Follow The Entertainment on Facebook, Instagram, or Substack and let us know what you think. Subscribe on your favorite podcast app and we’d love it if you gave us a review. The Entertainment is a production of KIOS 91.5 FM Omaha Public Radio. It is produced and edited by Courtney Bierman. Our artwork was created by Topher Booth.
Hosted on Acast. See acast.com/privacy for more information.
