In Phenomenology of Black Spirit (Edinburgh UP, 2023), Ryan Johnson and Biko Mandela Gray study the relationship between Hegel's Phenomenology of Spirit and Black Thought from Frederick Douglass to Angela Davis. This staging of an elongated dialectical parallelism between Hegel's classic text and major 19th-20th-century Black thinkers explodes the western canon of philosophy. Johnson and Mandela Gray show that Hegel's abstract dialectic is transformed and critiqued when put into conversation with the lived dialectics of Black Thought: from Frederick Douglass and Harriet Jacobs through to Malcolm X and Angela Davis. While Hegel articulates the dynamic logics that we see in these Black thinkers, when they are placed in parallel and considered together, the whiteness, both explicit and implicit, of Hegelianism itself is revealed. Forcing Hegelianism into the embodied history of Black Thought reveals a phenomenology of America whose spirit is Black. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.

This book rediscovers a lost history of the Roman Empire, written by Sextus Aurelius Victor (ca. 320-390) and demonstrates for the first time both the contemporary and lasting influence of his historical work. Though little regarded today, Victor is the best-attested historian of the later Roman Empire, read by Jerome and Ammianus, honoured with a statue by the pagan Emperor Julian and appointed to a prestigious prefecture by the Christian Theodosius. Through careful analysis of the ancient evidence, including newly discovered material, this book re-examines the two short imperial histories attributed to Victor in the manuscripts, known today as the Caesares and the Epitome de Caesaribus, and discusses a wide range of both canonical and neglected authors and texts, from Sallust and Tacitus to Eunapius and the Historia Augusta. New books in late antiquity is presented by Ancient Jew Review George Woudhuysen is Associate Professor in Roman History, Faculty of Arts, at the University of Nottingham Justin Stover is Senior Lecturer; Medieval Latin at the University of Edinburgh Michael Motia teaches in Classics and Religious Studies at UMass Boston

French Technological Thought and the Nonhuman Turn  (Edinburgh University Press, 2024) traces a genealogy of thinking and writing about technology, which takes us from the French avant-gardes to the contemporary 'nonhuman turn' in Anglo-American theory via the Surrealists, Gilbert Simondon, and Gilles Deleuze.Tracking the unruly transition from Catholic vocabularies of grace, potentiality, and actuality to the modern and contemporary secular lexicon of agency, virtuality, and affect, this book explores technology as a source of subject matter and conceptual metaphors, but also probes how ideas and words are modes of technicity through which we shape and reshape the world. Fusing literature, philosophy, and theology, it offers readers new contexts - and questions - for the egalitarian ontological commitments of contemporary post- and nonhuman thinking. Guest Dr. Madeleine Chalmers  is a lecturer in French studies at the University of Leicester in the UK, and holds a D.Phil. from the University of Oxford. Dr. Chalmers is the recipient of or shortlisted for a number of prestigious essay prizes, and has written numerous articles as well on topics ranging from modernist authors  to automation and the idea of “bricolage,” as well as editing a special issue of the Journal of Romance Studies on “French Perspectives on Conflict” in 2022. Host Gina Stamm is Associate Professor of French at the University of Alabama with research focusing on speculative literatures of metropolitan France and the Francophone Caribbean, from surrealism to contemporary science fiction and feminist utopias, as well as the translator of the novels Mevlido's Dreams and The Inner Harbour.

Archives are not only sources for history but have their own histories too, which shape how historians can tell stories of the past. In Managing Paperwork in Mamluk Cairo: Archives, Waqf and Society (Edinburgh UP, 2025), Daisy Livingston explores the archival history of one of the most powerful polities of the late-medieval Middle East: the ‘Mamluk’ sultanate of Cairo. Relying on surviving original documents, Livingston focuses on archival practices connected to waqf, the pious endowments that became one of the characteristic features of late-medieval Islamic societies. By centering a close exploration of documents connected to processes of endowment and property exchange, this book sheds light on a startling culture of document accumulation that was shared by the diverse social groups involved in founding and managing endowments: sultans and emirs, qadis, legal notaries, and scribes. Emphasizing the documents’ life cycles from production, to preservation, to disposal and loss, it argues for the use of surviving documents to tell their own archival histories. Daisy Livingston is Associate Professor of Medieval Islamic History in the Department of History at Durham University. As a historian of the medieval Middle East, in particular Egypt between the tenth and sixteenth centuries, her research focuses on various aspects of documentary culture, especially histories of archiving. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba’s Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025).

In this episode of the Language on the Move Podcast, Dr Loy Lising speaks with Distinguished Professor Ingrid Piller about the 3rd edition of her best-selling textbook Intercultural Communication (Edinburgh UP, 2025). A comprehensive and critical overview of the field of intercultural communication Key concepts and discussions illuminated with international case studies of intercultural communication in real life Includes learning objectives, key points, exercises and suggestions for further reading in each chapter A new chapter devoted to intercultural crisis communication; expanded coverage of language in migration; and new studies and examples of virtual, online and computer-mediated communication throughout. Combining perspectives from discourse analysis and sociolinguistics, the third edition of this popular textbook provides students with an up-to-date overview of the field of intercultural communication. Ingrid Piller explains communication in context using two main approaches. The first treats cultural identity, difference and similarity as discursive constructions. The second, informed by multilingualism studies, highlights the use and prestige of different languages and language varieties as well as the varying access that speakers have to them. For additional resources, show notes, and transcripts, go here.

The first edited collection dedicated to the historical specifics of Irish shame Offers an anatomy of Irish shame as a cultural predicament Combines theoretical reading with historical and institutional context Includes essays by some of Ireland’s leading researchers on trauma and sexuality studies Shame has haunted Ireland since the inception of Irishness itself. As such, it has come to seem an ineluctable modality of Irish life. In fact, the contours of Irish shame have evolved over time, shifting with alterations in their colonial predicament, and in their response, whether complicit or resistant, to economic, political, and cultural dispossession. Irish Shame offers an anatomy of that condition. In twelve essays, it traces the ethnic, religious, biopolitical, psychosocial and neurodiverse parameters of shame as a force in Irish life.

Since the 1980s, readers and scholars alike have celebrated migrant literature for not only depicting migration, but for inspiring  reflections on class, race, gender, nations, and mobility. But, beyond  depicting migration, is it possible for migrant literature to be a force of movement itself? Poetics of the Migrant: Migrant Literature and the Politics of Motion calls upon the philosophy of movement and a counter-history of migration to invent a theory and method for analysing migrant literature. The text uncovers patterns of movement that migrant texts enact and create – in other words, a movement-oriented poetics. Poetics of the Migrant understands movement as the defining force of human history; and the migrant is the primary figure of cultural and political transformation. Migrant literature makes it possible to transform how we process and interpret social history through social motion. Perhaps, from here, we can imagine a different world: one where movement and migrancy are legible and thinkable. About Kevin Potter: Kevin Potter is a postdoctoral researcher in the Department of English & American Studies at the University of Vienna. His research and teaching primarily focus on Marxist theory, migrant literature, anarchist thought, dystopian fiction, and Palestine. His first book, Poetics of the Migrant was released in 2023 through Edinburgh University Press, and received honorable mention for the 2024 Hugh J. Silverman Prize from the Association for Philosophy and Literature. About Pavan Mano: Pavan Mano is Lecturer in Global Cultures in the Department of Interdisciplinary Humanities at King's College London (https://www.kcl.ac.uk/people/p...). He works at the intersections of critical & literary theory, politics and culture. His first monograph, Straight Nation, interrogates postcolonial nationalism and the governance of sexuality in Singapore (https://manchesteruniversitypr...).

Narrating Irish Female Development, 1916-2018 (Edinburgh UP, 2024) studies narratives of Irish female and feminized development, arguing that these postmodern  narratives present Irish female maturation as disordered and often deliberately disorderly. The first full-length study of the Irish female  coming of age story, the book develops a feminist psychoanalytic narratology, derived from the belated oedipalization of Joyce’s bildungsheld, to read these stories. This study argues that all Irish maturation stories are shaped by the uneven and belated maturation story  of the Irish republic itself, which took as its avatar the Irish woman,  whose citizenship in that republic was unrealized, as indeed was her citizenship in an Irish republic of letters. Dougherty takes the writing  of Irish women as seriously as other critics have taken Joyce’s work. Discusses texts by James Joyce, John McGahern, Hannah Lynch, Kate O’Brien, Lady Gregory, Maud Gonne, Mary Colum, Elizabeth Bowen, Edna O’Brien, Dervla Murphy, Clare Boylan, Nuala O’Faolain, Eavan Boland, Anne Enright, Claire Keegan, Eimear McBride, Éilís ní Dhuibhne, Melatu Uche Okorie, and Soula Emmanuel Examines the form, narration, and content of fictional, non-fictional, and national narratives Develops a feminist psychoanalytic narratology Synthesizes historical, sociojuridical, feminist, post-colonial, and literary historical narratives of Irish development Jane Elizabeth Dougherty is Professor in the School of Literature, Writing and Digital Humanities and affiliate faculty in the School of Africana and Multicultural Studies at Southern Illinois University Carbondale. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France).

Syrian Poets and Vernacular Modernity (Edinburgh UP, 2025) examines a poetic movement that rose from under official state discourse in 1970s Syria Closely examines a wealth of unknown primary poetic texts from Syria that make up a new poetics which challenges received ideas about modern Arabic poetry Rereads along transnational lines the works of famous Arabo-Syrian poets such as Nizār Qabbānī and Muḥammad al-Māghūṭ Offers a substantial rethinking of key terms in comparative literary studies — translation, translatability, vernacular —as seen through the lens of everyday poetics Describes the institutional culture of poetry translations in Syria and analyses the modes of circulation by which translations pollinated original works Expands the scope of postcolonial poetry in the globalised age by factoring in relationships between first-, second-, and third-world literary cultures This book distinguishes a Syrian style of qaṣīdat nathr (prose poem) as a piece of collaborative performance called shafawiyya, vernacularised poetic speech. It describes the poetic lineages, stretching from early Syrian independence to the 21st century, whose task it was to bring poetic expression closer to everyday life.

These poets are shown cultivating genres and translational practices rooted in a plebeian civilian identity that counters both heroised images of the prophet-poet and stern authoritarian rule. A comparative analysis is provided to understand shafawiyya poetics as a transnational mode of creative engagement. This analysis includes aesthetic affinities and instances of transmission between Arabic poetry and poetries written in formerly Soviet countries (Poland, Czechoslovakia, Romania, Bulgaria). From this vantage point, matters of perennial debate in comparative literature - vernacular, translatability, postcolonial poetry - are shown from a new perspective.

The book closely examines a wealth of unknown primary poetic texts from Syria that make up the new poetics and challenge received ideas about modern Arabic poetry. It describes the institutional culture of poetry translations in Syria and analyses the modes of circulation by which translations pollinated original works. Behar rereads the works of famous Arabo-Syrian poets such as Nizār Qabbānī and Muḥammad al-Māghūṭ along transnational lines, offering a substantial rethinking of the key terms in comparative literary studies as seen through the lens of everyday poetics. Daniel Behar is Assistant Professor of Modern Arabic Literature in the Department of Arabic Language and Literature at the Hebrew University of Jerusalem. He is interested in comparative analysis of modern Arabic poetry, theories of translation, and socialist literary imaginaries in Syria.

Liberal democracies don’t age gracefully. Established systems of governance like those of the UK and the US which once served as blueprints are today experiencing a profound crisis of legitimacy. In Britain, a landslide general election result was quickly followed by a catastrophic tumble in approval ratings. In the US presidential campaign, meanwhile, voters were told that democracy itself was on the ballot, with both candidates suggesting the election might well be the last one ever. The consensus underpinning the world’s most powerful democracies is, indeed, waning. The populaces have developed a deep dissatisfaction with their governments’ political procedures, yet no credible alternatives have emerged. In his latest book Legitimacy in Liberal Democracies (Edinburgh UP, 2024), Benjamin Studebaker argues that the kinds of disagreements which historically led to political violence today instead just linger throughout the state and society. Without alternatives, liberal democracy’s legitimation crisis leads to neither reform nor revolution. Studebaker depicts a legitimacy crisis rife with state capacity problems, in which citizens tell each other many conflicting legitimation stories as they search for ways to live with a dissatisfying political system they cannot replace. As different factions try to ‘save’ democracy in their own ways, they appear authoritarian to one another. Efforts to build legitimacy thus only spark greater inequality, pluralism, and ever-tighter gridlock. Benjamin Studebaker is a political theorist. He holds a PhD in Politics and International Studies from the University of Cambridge. He has written for Aeon, Sublation, Compact, Current Affairs, The Bellows, and Huffington Post, among others. He hosts Political Theory 101 and co-hosts the film podcast The Lack. Benjamin is also the author of The Chronic Crisis of American Democracy which we spoke about in 2023.

African Literature and US Empire Postcolonial Optimism in Nigerian and South African Writing (Edinburgh UP, 2024) demonstrates how African literature grapples with the enforced optimism of US empire that circulates in postcolonial nations: Unsettles chronologies that chart a growing disillusionment with the postcolonial nation and national development across the twentieth and twenty-first centuries Brings together African literary studies, affect studies, and U.S. empire studies Diagnoses and critiques how U.S. empire is sustained through cycles of optimism and disappointment Includes chapters on both classic postcolonial fiction by writers such as Buchi Emecheta and Miriam Tlali and recent anglophone African novels by Chimamanda Ngozi Adichie and Ekow Duker Postcolonialism has long been associated with post-nationalism. Yet, the persistence of nation-oriented literatures from within the African postcolony and its diasporas registers how dreams of national becoming endure. In this fascinating new study, Hallemeier brings together African literary studies, affect studies and US empire studies, to challenge chronologies that chart a growing disillusionment with the postcolonial nation and national development across the twentieth and twenty-first centuries. The Nigerian and South African writings in African Literature and US Empire, while often attuned to the trans- and extra- national, repeatedly scrutinize why visions of national exceptionalism, signified by a ‘pan-African’ Nigeria and ‘new’ South Africa, remain stubbornly affecting, despite decades of disillusionment with national governments beholden to a neocolonial global order. In these fictions, optimistic forms of nationalism cannot be reduced to easily critiqued state-sanctioned discourses of renewal and development. They are also circulated through experiences of embodied need, quotidian aspiration and transnational, pan-African relationship.

Benjamin P. Davis’s Choose Your Bearing: Édouard Glissant, Human Rights and Decolonial Ethics (Edinburgh University Press 2025) provides one of the first readings, in English or French, of Édouard Glissant as an ethical theorist. What do we in the West owe those who grow our food, sew our clothes and produce our electronics? And what have we always owed one another, but forgotten, avoided, or simply disregarded? Looking back on nearly a century of colonial war and genocide, in 1990 the poet and philosopher Édouard Glissant appealed directly to his readers, calling them to re-orient their lives in service of the political struggles of their time: ‘You must choose your bearing.’ Informed by the prayer camps at Standing Rock, and presenting Glissant alongside Stuart Hall, Emmanuel Levinas, Simone Weil, Enrique Dussel, Gloria Anzaldúa and W. E. B. Du Bois, this book offers an urgent ethics for the present – an ethics of risk, commitment and care that together form a new sense of decolonial responsibility. A sequel to the book, Another Humanity: Decolonial Ethics from Du Bois to Arendt, is forthcoming this year. Benjamin P. Davis is an Assistant Professor of Africana Studies and Hispanic Studies at Texas A&M University and a Fellow at the Center on Modernity in Transition. He is the author of Simone Weil’s Political Philosophy: Field Notes from the Margins (Rowman & Littlefield 2023) as well as Choose Your Bearing: Édouard Glissant, Human Rights, and Decolonial Ethics (2023) and a sequel, Another Humanity: Decolonial Ethics from Du Bois to Arendt (2025), both published by Edinburgh University Press. Tim Wyman-McCarthy is a Lecturer in the discipline of Human Rights and Associate Director of Graduate Studies at the Institute for the Study of Human Rights and the Department of Sociology at Columbia University. He can be reached at tw2468@columbia.edu.

Investigative reporter Bob Woodward once noted that assassination was the Scarlett letter of American politics because targeted killings challenge the image of the United States as a liberal democracy and the driving force behind a rules-based international order. In his new book, Luca Trenta documents how assassination and assassination attempts have been a persistent feature in US foreign policy. The US government has relied on a variety of direct methods as well as more indirectly laying the groundwork for local assassins.  Using primary documents and interviews, The President’s Kill List meticulously documents how policymakers decided on assassination and the level of Presidential control over these decisions. The book analyzes the evolution of assassination policies and reveals how successive administrations - through private justifications and public legitimations - ensured that assassination remained an available tool. The podcast includes insightful comments on assassination and the Trump administration. The paperback is coming out in May 2025. Dr. Luca Trenta is an Associate Professor of International Relations in the Department of Political and Cultural Studies at Swansea University. His previous publications include an earlier book, Risk and Presidential Decision-making: The Emergence of Foreign Policy Crises (Routledge, 2016) and he hosts Out of the Shadows, interviewing authors and experts in intelligence and covert operations. In his public-facing scholarship, Dr. Trenta has appeared in a History Channel documentary called Secret Wars Uncovered (2020) and he regularly contributes to and collaborates with media outlets such as the BBC. Mentioned: Joseph Burkholder Smith, Portrait of a Cold Warrior (1976) John Frankenheimer, The Manchurian Candidate (1962) The Ford-Colby-Kissinger meeting is at page 35 here and Luca’s story about the meeting is here “Family Jewels” document of CIA employee responses to James Schlesinger asking to report activities outside CIA charter (1973) Rebecca Sanders, Plausible Legality: Legal Culture and Political Imperative in the Global War on Terror (2018) The Church Committee Report (Senate Select Committee to Study Governmental Operations with Respect to Intelligence Activities (1976) Hugh Wilford, The CIA: An Imperial History (2024) Tim Weiner, Legacy of Ashes: The History of the CIA (2008) Tim Weiner, The Mission: The CIA in the 21st Century (2024)

Why have dynamic and shifting hairstyles, from Katniss Everdeen’s Power Plait to JoJo Siwa’s outsize bows, become such a significant part of how girlhood is articulated in contemporary visual cultures? What do they tell us about how girlhood combines the qualities of resilience and sparkle needed to survive and thrive in turbulent post-recessionary times? Drawing together analysis of popular film franchises, Disney animation, ground-breaking TV shows, music videos, girl celebrity personas and global art cinema, Girls' Hairstories: Sparkle and Resilience in Contemporary Screen Cultures (Edinburgh University Press, 2025) by Dr. Fiona Handyside shows how across different cultural levels and aimed at different audiences, girls’ hairstyles provide a complex dynamic site of interpretation and interaction. It documents the careful craft of hair-dressers and software engineers working in the screen industries to style and animate hair, bringing their work to a new visibility. It is in the very everydayness of hairstyling that we come to understand girls as the most resilient and the most sparkly of citizens. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Postcolonial Fiction and Colonial Time: Waiting for Now (Edinburgh University Press, 2022) by Dr. Amanda Lagji reveals the fundamental, constitutive role of the temporal dimensions of waiting in colonial regimes of time, as well as in postcolonial framings of time, history and agency. Drawing from critical time and postcolonial studies alike, this book argues that the temporality of waiting is an essential concept to theorise the relationship between time and power in postcolonial fiction across the long twentieth century - one that illuminates the contradictory temporalities that underlie narratives of progress, modernization and development. The book contributes to the resurgence of interest in time within literary studies by demonstrating that waiting is also integral to postcolonial temporalities, from anticolonial nationalist movements for independence to forms of reconciliation after conflict. In addition to innovative readings of both classic and contemporary postcolonial novels, this study challenges the dominant narrative of the twentieth century as a time of acceleration and movement by arguing for the centrality of waiting to time-consciousness in the postcolonial world. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Across Iron Age Central Eurasia, non-sedentary people created, viewed, and considered animal-style imagery, creating designs replete with feline bodies with horse hooves, deer-birds, animals in combat, and other fantastic creatures. Fantastic Fauna from China to Crimea: Image-Making in Eurasian Nomadic Societies, 700 BCE-500 CE (Edinburgh University Press, 2023) focuses on this animal-style imagery, examining the dissemination of this image system.  Filled with fascinating images carefully chosen from an enormous geographical scope, Petya Andreeva's vivid book explores how communities used animal-style design to create and define status, to bond alliances together, and to showcase steppe know-how and worldliness in sedentary communities. Fantastic Fauna should appeal to those in Eurasian history, East Asian history, art and archeology, and those interested in thinking about steppe art.  Interested listeners should also check out Petya's chapter on the Golden Hoard (available here), part of an Open-Access UNESCO volume on the Silk Roads.   

Leyla Ozgur Alhassen’s book Qur’anic Stories: God, Revelation and the Audience (Edinburgh University Press, 2021) provides excellent analyses of several Qur’anic surahs, or chapters, to explore how Qur’anic stories function as narratives – but not just any kind of narratives: narratives with a theological purpose behind them.  The specific stories she looks at include those of Maryam, Yusuf, and Musa primarily. Alhassen analyzes the literary themes present in these different chapters, such as the themes of control, knowledge, semantic echoes, and consonance, or themes of family, judgment, evidence, and secrets – whether it’s secrets that the text is withholding from the reader or secrets that characters are keeping from each other. One of the most important contributions that the book makes is to offer one possible and convincing explanation for why stories of the same characters are told in different ways in different chapters of the Qur’an. For example, God is woven into some stories as both a character and an omniscient narrator depending on the larger theme of the surah and the placing of the story; in some instances, God as the omniscient narrator shows the words of a beloved, righteous character as true, thus making a theological statement. Alhassen argues that in such renderings of a story, where it becomes unclear whether a certain quote is God’s or a character’s, the point the text is making there is that God merges His (or Her) words with characters as a reward from God. Other theological statements that the stories seem to be making are that they reveal some insight into divine intent. In this interview, we discuss the origins of the book, how the Qur’an establishes structure and how Qur’anic stories serve as narratives, the main points of each chapter and story, and whether, and how, if at all, it matters that the Qur’an doesn’t give us identical quotes from characters in the various renditions of their stories in order to make an important stylistic choice.   

Taiwanese-Language Cinema: Rediscovered and Reconsidered (Edinburgh UP, 2024), edited by Chris Berry, Wafa Ghermani, Corrado Neri, and Ming-yeh T. Rawnsley, is a landmark contribution to studying Taiwanese cinema. The book revisits Taiyupian, a thriving yet overlooked segment of Taiwan’s cinematic history produced between the 1950s and 1970s in the Minnanhua dialect commonly used by the local Hoklo. This volume arrives at a pivotal moment when many of these films are being restored, subtitled, and critically revisited. By bringing together essays from Taiwanese and non-Taiwanese scholars, the book offers a robust framework for understanding Taiyupian’s cultural, social, and industrial dimensions. It challenges the traditional dominance of Mandarin and Japanese influences in Taiwan’s cinematic narrative, advocating for a broader, more inclusive history. The editors skilfully blend historical analysis with cultural theory, offering insights into the socio-political context that gave rise to these films and their eventual decline. The inclusion of translated Taiwanese scholarship is particularly commendable, as it ensures a dialogue between local and global perspectives. Reading this book is an eye-opening experience, especially for those unfamiliar with Taiyupian’s rich legacy. The book effectively positions these films not as relics but as dynamic cultural artefacts that continue to shape Taiwan’s cinematic and cultural identity. The writing, while scholarly, is engaging, particularly in chapters that explore Taiyupian's aesthetic and emotional resonance. The visuals and archival materials referenced throughout enhance its value as a resource for both academic and personal exploration. I wholeheartedly recommend this book to anyone interested in Taiwanese cinema, East Asian cultural studies, or the intersection of language and identity in film. Its insights resonate far beyond the specific era it examines, offering a model for how neglected histories can be rediscovered and celebrated. Dr Ming-Yeh Tsai Rawnsley is a Taiwanese media scholar, writer, and former journalist and TV screenwriter. Since 2013, she has been a Research Associate at the Centre of Taiwan Studies, SOAS University of London. She is also a Non-Resident Senior Fellow at the China Policy Institute, University of Nottingham (2014–present), a Research Fellow at the European Research Centre on Contemporary Taiwan (ERCCT), University of Tübingen (2015–present), and Research Associate at Academia Sinica, Taiwan (2018–present). M-Y T. Rawnsley is the Editor-in-Chief of the International Journal of Taiwan Studies (2018–present) and associate editor of the East Asian Journal of Popular Culture (2013–present). Bing Wang receives her PhD at the University of Leeds in 2020. Her research interests include the exploration of overseas Chinese cultural identity and critical heritage studies. She is also a freelance translator.

Tribe-state relations are a foundational element of authoritarian bargains in the Middle East, and in particular in the Gulf States. However, the structures of governance built upon that foundation exhibit wide differences. What explains this variation in the salience of kinship authority?  Through a case comparison of Kuwait, Qatar and Oman, in Kinship, State Formation and Governance in the Arab Gulf States (Edinburgh University Press, 2022) Dr. Scott Weiner shows that variation in tribal access to limited resources before state building can account for these differences. Its conclusions are based on seven months of archival research and interviews in Arabic and English, and reveal new details about state formation on the Arabian Peninsula. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Daniela Berghahn's award-winning monograph Exotic Cinema: Encounters with Cultural Difference in Contemporary Transnational Film (Edinburgh UP, 2023) is the first systematic analysis of decentred exoticsm in contemporary transnational and world cinema. By critically examining regimes of visuality such as the imperial, the ethnographic and the exotic gaze, which have colonised our minds and ways of looking, the monograph makes an important contribution to the urgent agenda of decolonising film studies. Exotic Cinema was awarded The Janovics Center Award for Outstanding Humanities Research in Transnational Film and Theatre (best book) and the African Studies Centre award at Babes-Bolyai Univeristy in Cluj-Napoca.  The research website www.exotic-cinema.org offers some insights into the scope and aims of this project.