Ten years ago, a single-hander show turned up at the Fringe… Rebecca Perry with ‘Confessions Of A Redheaded Coffeshop Girl’, which starts as “what if a coffeeshop with David Attenborough?” A hook that brought you in, before the performance and the piece delightfully dragged you further… a further that included an interview on this podcast.

Ten years later, Rebecca is back at the Fringe, and ten years later, Rebecca is back on the podcast.

What is the impact of a critically acclaimed show at the Fringe on a career? Why bring a show back? And how much of a personal show can remain the same after a decade of growth and performance?