There is no question that the brief span between 1992-1994, quite literally, changed my life. Sandwiched right in the middle is the year 1993. That's when things got serious. I was no longer the only kid trying to dig into the world of heavy music. There were a number of us, and allowances and lunch money would not be spared. It really didn't matter if I had the money to buy an actual album, I could always swindle a blank Memorex, Sony, or Maxell (among others) cassette tapes to dub whatever ...
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There is no question that the brief span between 1992-1994, quite literally, changed my life. Sandwiched right in the middle is the year 1993. That's when things got serious. I was no longer the only kid trying to dig into the world of heavy music. There were a number of us, and allowances and lunch money would not be spared. It really didn't matter if I had the money to buy an actual album, I could always swindle a blank Memorex, Sony, or Maxell (among others) cassette tapes to dub whatever ...
Whether in Sepultura, Soulfly, or his countless other projects, Max Cavalera has always embraced collaboration. While the obvious move would have been to explore the songs in which he brought in guest musicians on his own material (which is an amazing list in and of itself), I chose to dive into his catalog of guest appearances on the songs of other artists. This ended up being a very fun, and at times surprising, show to put together. Lifer. That sums up Max. That sums up ...
The Distorted Emporium
There is no question that the brief span between 1992-1994, quite literally, changed my life. Sandwiched right in the middle is the year 1993. That's when things got serious. I was no longer the only kid trying to dig into the world of heavy music. There were a number of us, and allowances and lunch money would not be spared. It really didn't matter if I had the money to buy an actual album, I could always swindle a blank Memorex, Sony, or Maxell (among others) cassette tapes to dub whatever ...
