There is no question that the brief span between 1992-1994, quite literally, changed my life. Sandwiched right in the middle is the year 1993. That's when things got serious. I was no longer the only kid trying to dig into the world of heavy music. There were a number of us, and allowances and lunch money would not be spared. It really didn't matter if I had the money to buy an actual album, I could always swindle a blank Memorex, Sony, or Maxell (among others) cassette tapes to dub whatever ...
All content for The Distorted Emporium is the property of Tommy Sosebee and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
There is no question that the brief span between 1992-1994, quite literally, changed my life. Sandwiched right in the middle is the year 1993. That's when things got serious. I was no longer the only kid trying to dig into the world of heavy music. There were a number of us, and allowances and lunch money would not be spared. It really didn't matter if I had the money to buy an actual album, I could always swindle a blank Memorex, Sony, or Maxell (among others) cassette tapes to dub whatever ...
Episode XVIII - "It's just murder. All God's creatures do it."
The Distorted Emporium
1 hour 13 minutes
3 years ago
Episode XVIII - "It's just murder. All God's creatures do it."
Ed Kemper, Ed Gein, Andrei Chikatilo, Albert Fish, and on and on. The list of mass murdering psychopaths that have inspired heavy music is an extensive one to say the least. Their influence isn't genre specific either. As you'll see tonight, death metal, sludge, grunge, thrash... bands of all styles have used these atrocities as inspiration for song. This is an eerie, and at times unsettling episode of The Distorted Emporium so turn out the lights and dive in. As with previous episodes...
The Distorted Emporium
There is no question that the brief span between 1992-1994, quite literally, changed my life. Sandwiched right in the middle is the year 1993. That's when things got serious. I was no longer the only kid trying to dig into the world of heavy music. There were a number of us, and allowances and lunch money would not be spared. It really didn't matter if I had the money to buy an actual album, I could always swindle a blank Memorex, Sony, or Maxell (among others) cassette tapes to dub whatever ...