This episode features Aarti Kawlra, Academic Director of the Humanities Across Borders program at IIAS, hosting discussion about indigo with three colleagues, scholars, and educators. Jody Benjamin is an Associate Professor of History at Howard University. His recent book is The Texture of Change: Dress, Self-Fashioning and History in Western Africa, 1700-1850 (Ohio University Press, New African History Series, 2024), which explores questions of state-making, social hierarchy, and self-making across parts of Mali, Senegal, and Guinea through the lens of textiles and dress in a context shaped by an emergent global capitalism, slavery, and colonialism. Min-Chin Chiang is an Associate Professor and the Chairperson of the Graduate Institute of Architecture and Cultural Heritage in Taipei National University of the Arts. Her work focuses on heritage craft, heritage education, and heritage dynamics in relation to community and colonialism. Finally, Jocelyne Vokouma is a researcher in the Department of Socioeconomics and Development Anthropology at the Institute of Social Studies (Institut des Sciences des Sociétés / INSS-CNRST) in Burkina Faso, where she specializes in the aesthetics of indigo in clothing.

Indigo occupies a haloed place as a color, a craft, and a hi(story) of global interactions. Viewed largely as a dye-yielding plant with a specific chemistry and exchange value as a commodity, in this podcast, the guests focus on indigo as a tool for African and Asian self-consciousness. Brought to you ahead of the Africa-Asia ConFest to be held next month (June 2025) in Dakar, this episode centers on indigo as a livelihood practice and techno-cultural knowhow, taking two specific examples, namely, indigo in Taiwan and indigo in Burkina Faso.

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