In this blistering edition of The Bullshit Show, Ray dissects the devolution of modern protest into performance art, sparked by news of Femen activists employing Nazi symbolism during International Women's Day demonstrations in Paris. Through an encounter with Mirandolo, a counterfeit Cuban artist peddling "revolutionary feminist protest art," and wisdom from Boris the Bulgarian superintendent, Ray methodically exposes how contemporary activism has been corrupted by the attention economy's demand for increasingly shocking spectacles. The monologue reaches its crescendo with an analysis of Madame Colbac's absurd "bodysuits and emails" demonstration at Springfield Central Bank, before concluding that today's theatrical protests serve primarily as content generation for the very systems they claim to oppose—providing viral moments that drive engagement while ensuring no substantive change occurs.

This episode Writers: Ray Di Marzio  

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