In our thirty-fourth episode, we take a deep dive into our thoughts on John William Polidori’s The Vampyre (1819) and Stephenie Meyer’s Twilight (2005). Follow us on Instagram @TheBookCommonRoom. Watch or listen to us on Apple Podcast, Spotify, or YouTube: linktr.ee/TheBookCommonRoom Introduction music featured by Antonín Dvořák's String Quartet No. 12 in F major, Op. 96, B. 179 "American": I. Allegro ma non troppo (1893), performed by the Cleveland Quartet (Telarc, 1991).
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In our thirty-fourth episode, we take a deep dive into our thoughts on John William Polidori’s The Vampyre (1819) and Stephenie Meyer’s Twilight (2005). Follow us on Instagram @TheBookCommonRoom. Watch or listen to us on Apple Podcast, Spotify, or YouTube: linktr.ee/TheBookCommonRoom Introduction music featured by Antonín Dvořák's String Quartet No. 12 in F major, Op. 96, B. 179 "American": I. Allegro ma non troppo (1893), performed by the Cleveland Quartet (Telarc, 1991).
Sci-Fi Foundations: A First Look at Dune_Episode 24
The Book Common Room
51 minutes
6 months ago
Sci-Fi Foundations: A First Look at Dune_Episode 24
In our twenty-fourth episode, we explore the life and legacy of Frank Herbert, the visionary behind Dune, examining his impact on science fiction and what defines the genre as a whole. As mentioned, Lauren listened to the audiobook version of the book, using the free edition available on YouTube from Echo Wirm, which divides the story into three parts. You can check out the creator’s channel here: https://www.youtube.com/@EchoWirm-f6m Additionally, here’s the interview Kali referenced between...
The Book Common Room
In our thirty-fourth episode, we take a deep dive into our thoughts on John William Polidori’s The Vampyre (1819) and Stephenie Meyer’s Twilight (2005). Follow us on Instagram @TheBookCommonRoom. Watch or listen to us on Apple Podcast, Spotify, or YouTube: linktr.ee/TheBookCommonRoom Introduction music featured by Antonín Dvořák's String Quartet No. 12 in F major, Op. 96, B. 179 "American": I. Allegro ma non troppo (1893), performed by the Cleveland Quartet (Telarc, 1991).
