In our thirty-fourth episode, we take a deep dive into our thoughts on John William Polidori’s The Vampyre (1819) and Stephenie Meyer’s Twilight (2005). Follow us on Instagram @TheBookCommonRoom. Watch or listen to us on Apple Podcast, Spotify, or YouTube: linktr.ee/TheBookCommonRoom Introduction music featured by Antonín Dvořák's String Quartet No. 12 in F major, Op. 96, B. 179 "American": I. Allegro ma non troppo (1893), performed by the Cleveland Quartet (Telarc, 1991).
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In our thirty-fourth episode, we take a deep dive into our thoughts on John William Polidori’s The Vampyre (1819) and Stephenie Meyer’s Twilight (2005). Follow us on Instagram @TheBookCommonRoom. Watch or listen to us on Apple Podcast, Spotify, or YouTube: linktr.ee/TheBookCommonRoom Introduction music featured by Antonín Dvořák's String Quartet No. 12 in F major, Op. 96, B. 179 "American": I. Allegro ma non troppo (1893), performed by the Cleveland Quartet (Telarc, 1991).
Introducing Dystopia in The Hunger Games_Episode 22
The Book Common Room
50 minutes
7 months ago
Introducing Dystopia in The Hunger Games_Episode 22
In our twenty-second episode, we dive into Suzanne Collins’ The Hunger Games, exploring the author behind the phenomenon and the dystopian genre that reshapes ancient questions for a modern age. We discuss the world-building, the moral frameworks, and the timeless appeal of stories that challenge power, justice, and survival. Reference to the interview with Suzanne Collins: https://www.suzannecollinsbooks.com/hunger_games_10th_anniversary_scholastic_interview.htm Follow us on Instagram @TheBo...
The Book Common Room
In our thirty-fourth episode, we take a deep dive into our thoughts on John William Polidori’s The Vampyre (1819) and Stephenie Meyer’s Twilight (2005). Follow us on Instagram @TheBookCommonRoom. Watch or listen to us on Apple Podcast, Spotify, or YouTube: linktr.ee/TheBookCommonRoom Introduction music featured by Antonín Dvořák's String Quartet No. 12 in F major, Op. 96, B. 179 "American": I. Allegro ma non troppo (1893), performed by the Cleveland Quartet (Telarc, 1991).
