In our thirty-fourth episode, we take a deep dive into our thoughts on John William Polidori’s The Vampyre (1819) and Stephenie Meyer’s Twilight (2005). Follow us on Instagram @TheBookCommonRoom. Watch or listen to us on Apple Podcast, Spotify, or YouTube: linktr.ee/TheBookCommonRoom Introduction music featured by Antonín Dvořák's String Quartet No. 12 in F major, Op. 96, B. 179 "American": I. Allegro ma non troppo (1893), performed by the Cleveland Quartet (Telarc, 1991).
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In our thirty-fourth episode, we take a deep dive into our thoughts on John William Polidori’s The Vampyre (1819) and Stephenie Meyer’s Twilight (2005). Follow us on Instagram @TheBookCommonRoom. Watch or listen to us on Apple Podcast, Spotify, or YouTube: linktr.ee/TheBookCommonRoom Introduction music featured by Antonín Dvořák's String Quartet No. 12 in F major, Op. 96, B. 179 "American": I. Allegro ma non troppo (1893), performed by the Cleveland Quartet (Telarc, 1991).
Discovering the Magic of Children's Books_Episode 30
The Book Common Room
50 minutes
3 months ago
Discovering the Magic of Children's Books_Episode 30
In our thirtieth episode, we introduce the children’s genre through the beloved book The Boy, the Mole, the Fox and the Horse by Charlie Mackesy. We explore what makes children's literature so powerful—for both kids and adults. Referenced information: BBC journal article Why adults should read children's books by author Katherine Rundell (2023): https://www.bbc.com/culture/article/20230711-why-adults-should-read-childrens-booksStudy on child development and reading daily (2019): https://ehe.o...
The Book Common Room
In our thirty-fourth episode, we take a deep dive into our thoughts on John William Polidori’s The Vampyre (1819) and Stephenie Meyer’s Twilight (2005). Follow us on Instagram @TheBookCommonRoom. Watch or listen to us on Apple Podcast, Spotify, or YouTube: linktr.ee/TheBookCommonRoom Introduction music featured by Antonín Dvořák's String Quartet No. 12 in F major, Op. 96, B. 179 "American": I. Allegro ma non troppo (1893), performed by the Cleveland Quartet (Telarc, 1991).
