We return with a bumper episode, recapping our favourite albums of 2024 with Louis and Joe's top ten albums list. Ignore the other lists, this really is the only one (well two actually) that matters. Will Charli XCX reign supreme or will there be surprises at the top?
We're back (again) to recap our favourite albums from 2024 so far. Join us as we take you through the best albums month by month, including albums from The Smile, Charli XCX, Adrienne Lenker, and Vampire Weekend.
We're back for our end of year round up. It's the only end of year list that matters, forget the rest. Who will come out on top of Louis and Joe's 2023 list? Will there be fights or will there be harmony? Featuring albums from PJ Harvey, Caroline Polachek, King Gizzard, Lana Del Rey, and Olivia Rodrigo.
This week we talk all things Manchester and the region's significant contribution to music. We focus in on A Certain Ratio's Sextet, a classic experimental album from the early Factory Records era. Contemporaries of Joy Division, this album saw them branch out into a new world music influenced sound. Elsewhere, Joe names his favourite Mancunian, Louis talks about the Verve for too long, and they both disagree on the best pub in Manchester.
We're feeling a little bit of nostalgia as two giants of the old radio rock world have come back with new albums recently. Queens of the Stone Age and the Foo Fighters have both supplied acclaimed new records and Louis and Joe discuss their favourite tracks, the differences between the bands, and some truly terrible song titles. Elsewhere in the episode we discuss our Glastonbury favourites and there's a Pitchfork quiz.
This week we discuss our new website and platform beatentrackpod.com. There's a discussion of what we're listening to at the moment including but not limited to; Wednesday, Model/Actriz, Pet Shop Boys and Queens of the Stone Age. We also touch on Kakashi, an ambient jazz record from Japanese composer Yasuaki Shimizu. Oh and yes, there's a really bad quiz at the end as well.
We're throwing out the rule book. If the Beaten Track has been known for anything it's a maverick attitude and unwillingness to bend to the popular will. Joe and Louis are back to take you through 2023 so far and in the new format we're not just talking one album, but multiple. We take you through our favourites of the year such as Boygenius, Lana Del Rey, Black Country New Road, Caroline Polachek and more. Also discussed is the not very popular Ticketmaster, the potential return of Supergroups, and the little people from Suffolk.
It is an exact science. Don't listen or read any other album round ups. This is the only one that matters. Joe and Louis count down the definitive top ten albums of 2022. Will BCNR top Joe's list two years on the bounce? Will Arctic Monkeys take each of the ten spots available for Louis? Listen to find out..
The long awaited collaboration between the acclaimed producer Danger Mouse and Philadelphia's legendary Black Thought. Embracing old school hip hop soundscapes and dipping into 60s and 70s soul, psych and jazz sounds, this record is a triumph in producer/rapper collaborations. Joe and Louis discuss their favourite tracks on the record, including the feature from the late MF DOOM. Oh, and the quizzing features cheating, exploding cigars and bulletproof bananas.
We took our time with this one, ensuring we got each position in this top 5 album list exactly right. Elliott Smith deserves such close attention as well, with his remarkably strong discography which stretched from lo-fi demos to power pop ambitions. Louis and Joe take on the mammoth task of ranking classics like Either/Or, a posthumous release and the slap of Figure 8's full band sound.
This week it was a band that both Joe and Louis have great affection for. Canadian Indie Poppers Alvvays followed up their fuzzy and nostalgic debut in 2014 with Antisocialites, released in 2017 it brought more sugary hooks, delightful melodies and wonderfully crafted pop tunes. We talk you through each and every track on this all flawless record and finish off with the Superheroes of BMX.
Industry industry industry. This week we discussed the pioneers of industrial sound Throbbing Gristle and their ironically titled 20 Jazz and Funk Greats. Featuring a classic Beachy Head album cover and some of the most immersive and honest industrial sounds ever recorded. In tribute to the bands use of samples, listen out for the dog barking we cut into this weeks episode...
Another album ticked off in our grand quest to cover them all, and this one is from this year! Nilüfer Yanya delivered her much anticipated second album earlier in 2022 following her brilliant and messy Miss Universe in 2019, featuring the same knack for dynamic songwriting and artsy production this record is a more focused and coherent affair than her debut. Joe and Louis fire through the albums strong tracklist and do a pretty hopeless round up of the years music so far..
And like a bolt from the blue it's 3 episodes in 3 weeks for the best alternative music podcast out there. And this week it's a beautiful, bright, noisy, pummelling, maelstrom of sound from Rhode Island noise duo Lightning Bolt. Creating a wall of pulsating sound with just drums and pitch shifted bass (oh and some distorted vocals from inside a ski mask) they took their cue from the Japanese noise scene as well as incorporating some free jazz and art-rock styles on their 2003 album. Join us as we take you through the record and reveal the cost of purchasing 30,00 toy monkeys.
What a Killer! Miraculously Louis has waited 65 episodes to choose a Neil Young album to discuss but finally the moment has come. With over 3,000 studio albums and over 1 million if you count the live ones, lost ones and archives it can be difficult to choose a starting point but we managed. The 1975 record Zuma signalled the return of his backing band Crazy Horse and was a momentous record for the development of the guitar sound that would later influence many Grunge artists. Louis and Joe discuss monster tracks Danger Bird and Cortez the Killer, and round off with some lacklustre quizzing.
After a short break we're back to what we do best, diving head first into a shoegaze swirl with this 1996 album from Swirlies. With an impressively long album title and even more impressive experimental songwriting, the album provides an alternative form of this distortion heavy sound. We discuss fuzzy guitars, drum machines and vocoders, whilst Joe's motorsport knowledge is put firmly to the test in an exciting closing quiz.
It's a whopping great double album for Louis and Joe to dive into this week. Big Thief's big album demands big praise. After two albums in 2019 from the Indie Folk outfit they spent the pandemic recording an eclectic collection of songs across four different recording sessions. The result is an immense display of songwriting talent, boundless exploration and boingy harp sounds. Oh, and Joe actually did a quiz this time as well...
Plunging our feet into the sludge this week with the young dinosaurs. With wild, distortion heavy, flanged out guitars and sugary hooks Dinosaur Jr. led the move away from the hardcore punk of the 80s. An iconic band in terms of their influence upon underground music, their 1987 effort saw them at perhaps their most raw and powerful. With an unbalanced mix and a dangerous edge, this slacker band still pack a punch. Joe and Louis peel pieces of scuzzy guitar off them after the onslaught and discuss the definitive Police song.
A compilation? Gospel music? Are you sure? Yes, do not adjust your sets we're venturing into the gospel universe through the lens of a compilation record released on David Byrne's Luaka Bop label in 2019. Wonderfully crafted and combining the more soul and R&B elements of the 70s gospel scene, the record surprises and delights in it's more personal image of gospel music. Joe and Louis only reference Life of Brian once and bring back the jewel in the podcast's crown, the 'uppy downy side to side higher or lower pitchfork album review quiz'.
Don't you wish you never, never met her. Although we'll never know what the PJ stands for (pearl jam? percy jackson? personal jesus?), we know that her discography stands as one of the very best of modern times. Erupting from the 90s alternative scene and admired by John Peel and Rolling Stone alike, Harvey has gone on to become one of the most iconic and singular artists we have. Joe and Louis use their almighty authority to rank her top 5 albums. Also listen out for Joe's voice being mysteriously stolen by the podcast gods.