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The Akerman Year
Simon Howell and Kate Rennebohm
12 episodes
8 months ago
Chantal Akerman's work stretched across mediums, formats, modes, concerns, countries, and production models, but only a handful of them have actually been seen by most cinephiles, especially in North America. In this monthly miniseries, we (Kate, Simon, and an assortment of special guests) will make a comprehensive case for Akerman as belonging on any list of the great artists of the last century -- not only for her relatively "famous" works, but also for her dozens of much-less-seen projects.
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TV & Film
Arts,
Society & Culture,
Visual Arts,
Documentary
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All content for The Akerman Year is the property of Simon Howell and Kate Rennebohm and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Chantal Akerman's work stretched across mediums, formats, modes, concerns, countries, and production models, but only a handful of them have actually been seen by most cinephiles, especially in North America. In this monthly miniseries, we (Kate, Simon, and an assortment of special guests) will make a comprehensive case for Akerman as belonging on any list of the great artists of the last century -- not only for her relatively "famous" works, but also for her dozens of much-less-seen projects.
Show more...
TV & Film
Arts,
Society & Culture,
Visual Arts,
Documentary
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Part 5: Hot summer nights (ft. Caden Mark Gardner)
The Akerman Year
1 hour 46 minutes 55 seconds
3 years ago
Part 5: Hot summer nights (ft. Caden Mark Gardner)

Once again, the stylistic breadth of Akerman's work comes to the fore via two features linked closely in theme but vastly divergent in approach. First up is Toute une nuit (1982), which chronicles a single smouldering Brussels night via the (mostly) romantic trials and tribulations of several dozen characters; that's followed this month by the more divisive Nuit et jour (1991), a chronicle of bifurcated love in the form of an askew philosophical romantic drama, complete with narration supplied by Akerman herself. Writer and critic Caden Mark Gardner is on hand to help us out on this one!

Caden's article on the Digital Trans Archive as mentioned by Kate: https://www.criterion.com/current/posts/7254-from-the-margins-what-the-archives-show-us-about-trans-cinema-and-audiences
Caden on Patreon: https://www.patreon.com/corpsesfoolsandmonsters

If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: https://paypal.me/kateandsimonpod

Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: https://sundarsubramanian.bandcamp.com/

The Akerman Year
Chantal Akerman's work stretched across mediums, formats, modes, concerns, countries, and production models, but only a handful of them have actually been seen by most cinephiles, especially in North America. In this monthly miniseries, we (Kate, Simon, and an assortment of special guests) will make a comprehensive case for Akerman as belonging on any list of the great artists of the last century -- not only for her relatively "famous" works, but also for her dozens of much-less-seen projects.