One of the McAllister tenants has been painting strange images—images that shouldn’t exist. Some of the paintings depict moments the agents haven't experienced yet. Others capture private details they never shared. One canvas appears blank… until you stare long enough. As the agents investigate the artist, Thomas Manuel, they uncover not only disturbing portraits, but a larger pattern of manipulation, compulsion, and perhaps prophecy. What is the “great work” he’s painting—and why does it seem to know them?
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