Luke and Jae dive into The Toxic Avenger — gleefully gory, gloriously weird, and a long-awaited modern revival of the cult classic. Directed by Macon Blair and starring Peter Dinklage, the film reimagines Troma’s iconic anti-hero for a new generation, blending outrageous humour, splatter-filled chaos, and genuine heart.
They discuss how this reboot pays tribute to the original while carving out its own toxic identity, the standout performances (yes, including Kevin Bacon’s villainous turn), and what this could mean for the future of cult cinema.
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Luke and Jae dive into The Toxic Avenger — gleefully gory, gloriously weird, and a long-awaited modern revival of the cult classic. Directed by Macon Blair and starring Peter Dinklage, the film reimagines Troma’s iconic anti-hero for a new generation, blending outrageous humour, splatter-filled chaos, and genuine heart.
They discuss how this reboot pays tribute to the original while carving out its own toxic identity, the standout performances (yes, including Kevin Bacon’s villainous turn), and what this could mean for the future of cult cinema.
Luke and Jae take aim at Parker — the slick, hard-hitting crime thriller directed by Taylor Hackford and starring Jason Statham as a no-nonsense thief with a strict code. With a supporting cast that includes Jennifer Lopez, Michael Chiklis, Bobby Cannavale, and Nick Nolte, this film blends sharp action with classic heist-movie style.
Is Parker an underrated gem or just another action flick? Tune in to hear the full breakdown!
That Film Stew Podcast
Luke and Jae dive into The Toxic Avenger — gleefully gory, gloriously weird, and a long-awaited modern revival of the cult classic. Directed by Macon Blair and starring Peter Dinklage, the film reimagines Troma’s iconic anti-hero for a new generation, blending outrageous humour, splatter-filled chaos, and genuine heart.
They discuss how this reboot pays tribute to the original while carving out its own toxic identity, the standout performances (yes, including Kevin Bacon’s villainous turn), and what this could mean for the future of cult cinema.
