If Terms and Conditions agreements are effectively contracts we sign with large companies, what happens when there’s a dispute? How are these agreements seen through the eyes of the law?
Follow the show on Twitter @TermsCondPod
More information on my guests:
Chris Cotropia
University of Richmond faculty page
“Higher Education and the DMCA” Chris Cotropia and Jim Gibson, 2018.
Jim Gibson
University of Richmond Faculty Page
“Boilerplate’s False Dichotomy” James Gibson, 2018
“Click to Agree” James Gibson, Richmond Law Magazine, 2013
References and Further Reading Available at TermsConditionsApply.com
Music from https://filmmusic.io
"Apero Hour" by Kevin MacLeod (https://incompetech.com)
License: CC BY (http://creativecommons.org/licenses/by/4.0/)
"Lobby Time" by Kevin MacLeod (https://incompetech.com)
License: CC BY (http://creativecommons.org/licenses/by/4.0/)
"Airport Lounge" by Kevin MacLeod (https://incompetech.com)
License: CC BY (http://creativecommons.org/licenses/by/4.0/)
"Sneaky Adventure" by Kevin MacLeod (https://incompetech.com)
License: CC BY (http://creativecommons.org/licenses/by/4.0/)
"Crinoline Dreams" by Kevin MacLeod (https://incompetech.com)
License: CC BY (http://creativecommons.org/licenses/by/4.0/)
"Opportunity Walks" by Kevin MacLeod (https://incompetech.com)
License: CC BY (http://creativecommons.org/licenses/by/4.0/)
Other Music
“Let That Sink In,” composed by Lee Rosevere. https://leerosevere.bandcamp.com/
Used under a Creative Commons Attribution 4.0 International License https://creativecommons.org/licenses/by/4.0/
“Royale,” performed by Josh Lippi & the Overtimers https://joshlippi.bandcamp.com/