714 Delaware St. is a podcast about the television sitcom Roseanne, its reboot and its second reboot, The Conners. Hosts Maura and Katherine are longtime fans of the original series who met in graduate school, where they both studied literature, film and television studies. Roseanne was a groundbreaking series, depicting a working-class family led by strong female characters who broke the mold for women in family sitcoms. It was also a formative cultural text for the two of us, who grew up glued to every episode and feeling like, in some sense, it got us.
This podcast is not in any way intended to excuse or defend the recent racist and offensive statements of Roseanne Barr herself, whose involvement with the show was rightly terminated following a racist tweet about President Obama’s former advisor Valerie Jarrett. Instead, we hope to revisit significant episodes of the original series with a critical eye, celebrating our personal connections to the show and its trailblazing, charming, and moving qualities while also acknowledging its shortcomings and biases. We discuss these episodes side-by-side with new episodes of The Conners, exploring what the series looks like without Roseanne herself and whether the universe of Lanford, though markedly changed since 1988, can still provide the setting for stories and characters that resonate and offer an honest depiction of life for a working class that remains underrepresented on television.
So grab your favorite afghan, pull up a stool at the Lobo or slide into your favorite booth at Rodbell’s, and join us!
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714 Delaware St. is a podcast about the television sitcom Roseanne, its reboot and its second reboot, The Conners. Hosts Maura and Katherine are longtime fans of the original series who met in graduate school, where they both studied literature, film and television studies. Roseanne was a groundbreaking series, depicting a working-class family led by strong female characters who broke the mold for women in family sitcoms. It was also a formative cultural text for the two of us, who grew up glued to every episode and feeling like, in some sense, it got us.
This podcast is not in any way intended to excuse or defend the recent racist and offensive statements of Roseanne Barr herself, whose involvement with the show was rightly terminated following a racist tweet about President Obama’s former advisor Valerie Jarrett. Instead, we hope to revisit significant episodes of the original series with a critical eye, celebrating our personal connections to the show and its trailblazing, charming, and moving qualities while also acknowledging its shortcomings and biases. We discuss these episodes side-by-side with new episodes of The Conners, exploring what the series looks like without Roseanne herself and whether the universe of Lanford, though markedly changed since 1988, can still provide the setting for stories and characters that resonate and offer an honest depiction of life for a working class that remains underrepresented on television.
So grab your favorite afghan, pull up a stool at the Lobo or slide into your favorite booth at Rodbell’s, and join us!
We’re back, listeners – for real this time! Ahead of next month’s premiere of season 6 of The Conners, we’re looking at two episodes from Roseanne‘s later seasons that focus on a plot point that’s been bugging us throughout the run of this podcast: Jackie and Fred’s child, Andy. The Conners has wiped Andy from existence for reasons unknown, but a look at season 7 episode “Nine Is Enough” and season 8 episode “Let Them Eat Junk” demonstrates Jackie’s once all-consuming, unhinged and obsessive love for her now-disappeared baby. In “Nine Is Enough,” a hilarious episode that revolves around the Conners’ overcrowded house (and Dan shaving his armpits and being weird about it), Jackie’s overprotective, controlling attitude surrounding the baby has put a wall between her and Fred that never really seems to come down. In “Let Them Eat Junk,” this same parenting approach causes problems between Jackie and Roseanne, who violates Jackie’s “no junk food” rule, resulting in some soul-searching for Roseanne regarding her relationship to food, as passed down by Bev. We discuss how high-strung Jackie is in these two episodes, and how much more in line this late-Roseanne characterization is with the way she is depicted on The Conners, albeit without the presence of Andy. We also have some fun with Bev and a lively discussion of the differences between Sarah Chalke-Becky and Lecy-Becky.
Join us for all this plus digressions on Willem Dafoe (his charm and small stature). Beef, The Bear, our hatred for Incubus, May December, Loudermilk, the terrifying 1845 children’s book Struwwelpeter, Frog and Toad, and Cher’s Christmas song. Listen and subscribe on Apple Podcasts!
television – 714 Delaware St. Podcast
714 Delaware St. is a podcast about the television sitcom Roseanne, its reboot and its second reboot, The Conners. Hosts Maura and Katherine are longtime fans of the original series who met in graduate school, where they both studied literature, film and television studies. Roseanne was a groundbreaking series, depicting a working-class family led by strong female characters who broke the mold for women in family sitcoms. It was also a formative cultural text for the two of us, who grew up glued to every episode and feeling like, in some sense, it got us.
This podcast is not in any way intended to excuse or defend the recent racist and offensive statements of Roseanne Barr herself, whose involvement with the show was rightly terminated following a racist tweet about President Obama’s former advisor Valerie Jarrett. Instead, we hope to revisit significant episodes of the original series with a critical eye, celebrating our personal connections to the show and its trailblazing, charming, and moving qualities while also acknowledging its shortcomings and biases. We discuss these episodes side-by-side with new episodes of The Conners, exploring what the series looks like without Roseanne herself and whether the universe of Lanford, though markedly changed since 1988, can still provide the setting for stories and characters that resonate and offer an honest depiction of life for a working class that remains underrepresented on television.
So grab your favorite afghan, pull up a stool at the Lobo or slide into your favorite booth at Rodbell’s, and join us!
