Home
Categories
EXPLORE
True Crime
Comedy
Business
Society & Culture
Health & Fitness
Sports
Technology
About Us
Contact Us
Copyright
© 2024 PodJoint
00:00 / 00:00
Podjoint Logo
US
Sign in

or

Don't have an account?
Sign up
Forgot password
https://is1-ssl.mzstatic.com/image/thumb/Podcasts115/v4/24/af/eb/24afeb7b-006c-6e97-8a11-b3337c576c27/mza_17859126029047159722.jpg/600x600bb.jpg
Tango Profiles
Adam Tully
16 episodes
2 weeks ago
For the first time we're looking at a lyricist (who was also a composer). E.S. Discépolo shaped the tango songbook in a significant way, injecting a healthy dose of porteño philosophy. Theatrical and literary, he was also sarcastic, quick-witted, and able to capture porteño pessimism using slang, highbrow references, and a dose of humor.
Show more...
Society & Culture
RSS
All content for Tango Profiles is the property of Adam Tully and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
For the first time we're looking at a lyricist (who was also a composer). E.S. Discépolo shaped the tango songbook in a significant way, injecting a healthy dose of porteño philosophy. Theatrical and literary, he was also sarcastic, quick-witted, and able to capture porteño pessimism using slang, highbrow references, and a dose of humor.
Show more...
Society & Culture
https://i1.sndcdn.com/artworks-000212772762-0ncxd0-t3000x3000.jpg
Ep 103 - Gerardo Matos Rodríguez
Tango Profiles
16 minutes 2 seconds
8 years ago
Ep 103 - Gerardo Matos Rodríguez
La cumparsita is 100 years old. Starting as a simple melody written by a student, it soon became a magnet for lyrics, new music, spoken word, copyright infringement and lawsuits. Listen to this episode for the fascinating details, and some really good music.
Tango Profiles
For the first time we're looking at a lyricist (who was also a composer). E.S. Discépolo shaped the tango songbook in a significant way, injecting a healthy dose of porteño philosophy. Theatrical and literary, he was also sarcastic, quick-witted, and able to capture porteño pessimism using slang, highbrow references, and a dose of humor.