I talk industry professionals who, on a daily basis, work with music and visuals. I’m talking about composers but I’m also talking about the editors, music supervisors, directors and anyone else who’s involved with the synchronous process of pairing of audio and visuals.
My mission is to get under the skin of their recent projects, understand their relationship to these magical media and glean insights into what makes them tick and what makes them great at what they do.
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I talk industry professionals who, on a daily basis, work with music and visuals. I’m talking about composers but I’m also talking about the editors, music supervisors, directors and anyone else who’s involved with the synchronous process of pairing of audio and visuals.
My mission is to get under the skin of their recent projects, understand their relationship to these magical media and glean insights into what makes them tick and what makes them great at what they do.
17 – Composing the Music for The End We Start From with Anna Meredith
Sync Music Matters Podcast
1 hour 10 minutes 34 seconds
1 year ago
17 – Composing the Music for The End We Start From with Anna Meredith
Anna Meredith Interview
In this weeks episode of Sync Music Matters I'm talking to Anna Meredith MBE
Anna was awarded an MBE for Services to Music in the 2019 Queen’s Birthday Honours List.
She’s a genre-crossing composer and producer whose work blends the worlds of contemporary classical, art pop, electronica and experimental rock.
In terms of her artist work you can check out Varmints for which she won the Scottish Album of the Year award and Mercury Prize nominated album FIBS which Pitchfork lauded as one of the best experimental albums of 2019
Recent Film credits include The End We Start From starring Jodie Comer, Paul Rudd’s dark comedy Living With Yourself for Netflix and A24s Tuesday starring Julia Louis-Dreyfus which is due to be released this year.
Anna Meredith's Website
Sync Music Matters Podcast
I talk industry professionals who, on a daily basis, work with music and visuals. I’m talking about composers but I’m also talking about the editors, music supervisors, directors and anyone else who’s involved with the synchronous process of pairing of audio and visuals.
My mission is to get under the skin of their recent projects, understand their relationship to these magical media and glean insights into what makes them tick and what makes them great at what they do.
