Season Two of the Sunday Verse is a companion piece to the new William Prince offering, “Gospel First Nation,” a 21st century Northern Interlake geographical sound imprint that tells stories of family and faith in the age of grief.
This album has been a hundred years in the making. On the cover is the Prince Memorial Chapel, a one-room, wood-sided building which has stood in Peguis First Nation in Manitoba, Canada since 1929. The chapel, no longer in use, holds in its name a story of family, identity and history that began a century before the chapel was built, and will continue long after it falls apart. Over ten episodes, William Prince tells us this story through the music of his childhood, songs of faith, struggle and grace.
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Season Two of the Sunday Verse is a companion piece to the new William Prince offering, “Gospel First Nation,” a 21st century Northern Interlake geographical sound imprint that tells stories of family and faith in the age of grief.
This album has been a hundred years in the making. On the cover is the Prince Memorial Chapel, a one-room, wood-sided building which has stood in Peguis First Nation in Manitoba, Canada since 1929. The chapel, no longer in use, holds in its name a story of family, identity and history that began a century before the chapel was built, and will continue long after it falls apart. Over ten episodes, William Prince tells us this story through the music of his childhood, songs of faith, struggle and grace.
“It’s the conclusion of the longest ride you can take out in Peguis, MB.” In the second last episode of the season, we travel back through the eras and explore William’s childhood home of Fisher Bay, MB. From summer camp, where special connections strengthen your faith and failed pen pals can crush it, to his teen years of writing songs and performing with his father (who wrote, “This One I Know“), William reflects on his roots and how faith evolves over time and places.
Sunday Verse
Season Two of the Sunday Verse is a companion piece to the new William Prince offering, “Gospel First Nation,” a 21st century Northern Interlake geographical sound imprint that tells stories of family and faith in the age of grief.
This album has been a hundred years in the making. On the cover is the Prince Memorial Chapel, a one-room, wood-sided building which has stood in Peguis First Nation in Manitoba, Canada since 1929. The chapel, no longer in use, holds in its name a story of family, identity and history that began a century before the chapel was built, and will continue long after it falls apart. Over ten episodes, William Prince tells us this story through the music of his childhood, songs of faith, struggle and grace.
