Season Two of the Sunday Verse is a companion piece to the new William Prince offering, “Gospel First Nation,” a 21st century Northern Interlake geographical sound imprint that tells stories of family and faith in the age of grief.
This album has been a hundred years in the making. On the cover is the Prince Memorial Chapel, a one-room, wood-sided building which has stood in Peguis First Nation in Manitoba, Canada since 1929. The chapel, no longer in use, holds in its name a story of family, identity and history that began a century before the chapel was built, and will continue long after it falls apart. Over ten episodes, William Prince tells us this story through the music of his childhood, songs of faith, struggle and grace.
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Season Two of the Sunday Verse is a companion piece to the new William Prince offering, “Gospel First Nation,” a 21st century Northern Interlake geographical sound imprint that tells stories of family and faith in the age of grief.
This album has been a hundred years in the making. On the cover is the Prince Memorial Chapel, a one-room, wood-sided building which has stood in Peguis First Nation in Manitoba, Canada since 1929. The chapel, no longer in use, holds in its name a story of family, identity and history that began a century before the chapel was built, and will continue long after it falls apart. Over ten episodes, William Prince tells us this story through the music of his childhood, songs of faith, struggle and grace.
“This song was really born inside a Johnny Cash song - Flesh & Blood.” On this week’s episode of Sunday Verse, William talks about a difficult split, love language and working at a country radio station. Explore the lyrics behind “Always Have What We Had” and some of the lessons William’s learned about love.
Sunday Verse
Season Two of the Sunday Verse is a companion piece to the new William Prince offering, “Gospel First Nation,” a 21st century Northern Interlake geographical sound imprint that tells stories of family and faith in the age of grief.
This album has been a hundred years in the making. On the cover is the Prince Memorial Chapel, a one-room, wood-sided building which has stood in Peguis First Nation in Manitoba, Canada since 1929. The chapel, no longer in use, holds in its name a story of family, identity and history that began a century before the chapel was built, and will continue long after it falls apart. Over ten episodes, William Prince tells us this story through the music of his childhood, songs of faith, struggle and grace.
