If you want to know about screenwriting, the first thing most people will tell you is this: Read screenplays. Lots of screenplays. And analyze them.
I want to know about screenwriting, so I read a whole bunch of screenplays. And to force myself to dive a little deeper, I decided to share my analysis with the world. Thus the Storylanes Podcast.
Every episode, I do a deep dive into some screenplay. I look at how it is structured, at how the pieces fit together, and at what makes it special. And I look at how closely each screenplay follows some of the more popular screenwriting models, things like three act structure, Save the Cat, and the Hero’s Journey. (And spoiler warning: a lot of great movies follow those models, but a lot don’t too.)
And because I’m a computer-geek by trade, I developed a tool to help me analyze the screenplays. I use it to produce a chart that maps key elements of the screenplay. You can find each of these charts here at https://storylanes.com.
I’ve learned a lot about screenwriting from preparing these episodes. I hope that listening to them will help you learn too.
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If you want to know about screenwriting, the first thing most people will tell you is this: Read screenplays. Lots of screenplays. And analyze them.
I want to know about screenwriting, so I read a whole bunch of screenplays. And to force myself to dive a little deeper, I decided to share my analysis with the world. Thus the Storylanes Podcast.
Every episode, I do a deep dive into some screenplay. I look at how it is structured, at how the pieces fit together, and at what makes it special. And I look at how closely each screenplay follows some of the more popular screenwriting models, things like three act structure, Save the Cat, and the Hero’s Journey. (And spoiler warning: a lot of great movies follow those models, but a lot don’t too.)
And because I’m a computer-geek by trade, I developed a tool to help me analyze the screenplays. I use it to produce a chart that maps key elements of the screenplay. You can find each of these charts here at https://storylanes.com.
I’ve learned a lot about screenwriting from preparing these episodes. I hope that listening to them will help you learn too.
This week we turn our eyes to the world of television, and to the pilot episode for the TV series BREAKING BAD. This lets us look at all the things that a TV pilot needs to do to set up the series while still telling a great story that will bring the viewers back.
Written by Vince Gilligan, this pilot is considered one of the modern class pilots. Let's see what a Storylanes look can tell us about it!
For more details, visit Storylanes.com.
Storylanes
If you want to know about screenwriting, the first thing most people will tell you is this: Read screenplays. Lots of screenplays. And analyze them.
I want to know about screenwriting, so I read a whole bunch of screenplays. And to force myself to dive a little deeper, I decided to share my analysis with the world. Thus the Storylanes Podcast.
Every episode, I do a deep dive into some screenplay. I look at how it is structured, at how the pieces fit together, and at what makes it special. And I look at how closely each screenplay follows some of the more popular screenwriting models, things like three act structure, Save the Cat, and the Hero’s Journey. (And spoiler warning: a lot of great movies follow those models, but a lot don’t too.)
And because I’m a computer-geek by trade, I developed a tool to help me analyze the screenplays. I use it to produce a chart that maps key elements of the screenplay. You can find each of these charts here at https://storylanes.com.
I’ve learned a lot about screenwriting from preparing these episodes. I hope that listening to them will help you learn too.
