stopGOstop: field recordings, sound collage, and sound art
john wanzel
200 episodes
1 week ago
stopGOstop is a podcast that explores the idea that sound recordings can act as sediment — an accumulation of recorded cultural material — distributed via rss feed, and listened to on headphones. Each episode is a new sonic layer, incorporating field recordings, plunderphonics, and electroacoustic sound, all composed together in one episode or, alternately, presented individually as striations.
The podcast has evolved over its existence, started as a field recording podcast in 2012 the first 19 episodes feature binaural and stereo recordings from everyday life. After, it shifted between field recordings, experimental narratives, new compositions, and sound collages.
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stopGOstop is a podcast that explores the idea that sound recordings can act as sediment — an accumulation of recorded cultural material — distributed via rss feed, and listened to on headphones. Each episode is a new sonic layer, incorporating field recordings, plunderphonics, and electroacoustic sound, all composed together in one episode or, alternately, presented individually as striations.
The podcast has evolved over its existence, started as a field recording podcast in 2012 the first 19 episodes feature binaural and stereo recordings from everyday life. After, it shifted between field recordings, experimental narratives, new compositions, and sound collages.
stopGOstop: field recordings, sound collage, and sound art
34 minutes 11 seconds
7 months ago
192: Motion, moving and no one owns it
It starts with a spark. A small thing, barely there. Just a flicker of heat, of energy, but it’s enough. Enough to ignite the mix of air and fuel waiting in the chamber. Enough to turn that tiny explosion into … Continue reading →
stopGOstop: field recordings, sound collage, and sound art
stopGOstop is a podcast that explores the idea that sound recordings can act as sediment — an accumulation of recorded cultural material — distributed via rss feed, and listened to on headphones. Each episode is a new sonic layer, incorporating field recordings, plunderphonics, and electroacoustic sound, all composed together in one episode or, alternately, presented individually as striations.
The podcast has evolved over its existence, started as a field recording podcast in 2012 the first 19 episodes feature binaural and stereo recordings from everyday life. After, it shifted between field recordings, experimental narratives, new compositions, and sound collages.
