stopGOstop: field recordings, sound collage, and sound art
john wanzel
200 episodes
1 week ago
stopGOstop is a podcast that explores the idea that sound recordings can act as sediment — an accumulation of recorded cultural material — distributed via rss feed, and listened to on headphones. Each episode is a new sonic layer, incorporating field recordings, plunderphonics, and electroacoustic sound, all composed together in one episode or, alternately, presented individually as striations.
The podcast has evolved over its existence, started as a field recording podcast in 2012 the first 19 episodes feature binaural and stereo recordings from everyday life. After, it shifted between field recordings, experimental narratives, new compositions, and sound collages.
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stopGOstop is a podcast that explores the idea that sound recordings can act as sediment — an accumulation of recorded cultural material — distributed via rss feed, and listened to on headphones. Each episode is a new sonic layer, incorporating field recordings, plunderphonics, and electroacoustic sound, all composed together in one episode or, alternately, presented individually as striations.
The podcast has evolved over its existence, started as a field recording podcast in 2012 the first 19 episodes feature binaural and stereo recordings from everyday life. After, it shifted between field recordings, experimental narratives, new compositions, and sound collages.
stopGOstop: field recordings, sound collage, and sound art
18 minutes 27 seconds
8 months ago
191: The quarter still spins
The work moves through my hands, at the end of the day they are empty. Who leaves here feeling insecure, the push and pull of deposits and debts, paycheck by paycheck, the machine hums, a life behind glass, counting, always … Continue reading →
stopGOstop: field recordings, sound collage, and sound art
stopGOstop is a podcast that explores the idea that sound recordings can act as sediment — an accumulation of recorded cultural material — distributed via rss feed, and listened to on headphones. Each episode is a new sonic layer, incorporating field recordings, plunderphonics, and electroacoustic sound, all composed together in one episode or, alternately, presented individually as striations.
The podcast has evolved over its existence, started as a field recording podcast in 2012 the first 19 episodes feature binaural and stereo recordings from everyday life. After, it shifted between field recordings, experimental narratives, new compositions, and sound collages.
