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Stereoactive Movie Club
Stereoactive Media
40 episodes
5 months ago
Alicia, Mia, Stephen, and Jeremiah – along with special guests – are discussing some of the greatest movies ever made. Who says? Sight And Sound magazine says. Every ten years, since 1952, the publication has surveyed critics and directors to determine which films, according to those surveyed, might be considered the best. The five film-loving friends take turns picking movies that have appeared on the list and then dig into them with an eye on their cultural impact, how they stand up today, and just whether they’re actually as good as all those critics and directors say they are.
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Film History
TV & Film,
Film Reviews
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All content for Stereoactive Movie Club is the property of Stereoactive Media and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Alicia, Mia, Stephen, and Jeremiah – along with special guests – are discussing some of the greatest movies ever made. Who says? Sight And Sound magazine says. Every ten years, since 1952, the publication has surveyed critics and directors to determine which films, according to those surveyed, might be considered the best. The five film-loving friends take turns picking movies that have appeared on the list and then dig into them with an eye on their cultural impact, how they stand up today, and just whether they’re actually as good as all those critics and directors say they are.
Show more...
Film History
TV & Film,
Film Reviews
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Ep 4.2 // Hiroshima Mon Amour
Stereoactive Movie Club
1 hour 21 minutes
3 years ago
Ep 4.2 // Hiroshima Mon Amour

It’s Alicia’s 4th pick: Hiroshima Mon Amour, the 1959 film directed by Alain Resnais.

With ‘Hiroshima Mon Amour,’ Resnais and screenwriter Marguerite Duras, explore the intersection where tragedy and trauma meet history and memory.

The film was released on May 8, 1959 at the Cannes Film Festival, where it won the FIPRESCI International Critics’ Prize.

Among its other accolades was recognition by Cahiers du Cinéma on its list of the top 10 films of 1959, where it was ranked 2nd after Kenji Mizoguchi’s ‘Ugetsu.’

It opened in the United States in May of 1960 and went on to earn Marguerite Duras an Academy Award nomination for Best Screenplay Written Directly for the Screen.

To give a sense of what was popular in the United States in the years ‘Hiroshima Mon Amour’ was first released, then when it opened in the United States, the top grossing films in North America for 1959 and 1960 were Ben-Hur and Spartacus, respectively. Meanwhile, Ben-Hur was also the big winner at the Oscars for 1959, while The Apartment was the big winner for 1960.

For our purposes, the film has never been in the top 10 of either the critics or directors polls done by Sight and Sound magazine to determine the greatest films ever made. It did, though, place, as a runner-up in both 1962 and 1972.

Produced by Stereoactive Media

Stereoactive Movie Club
Alicia, Mia, Stephen, and Jeremiah – along with special guests – are discussing some of the greatest movies ever made. Who says? Sight And Sound magazine says. Every ten years, since 1952, the publication has surveyed critics and directors to determine which films, according to those surveyed, might be considered the best. The five film-loving friends take turns picking movies that have appeared on the list and then dig into them with an eye on their cultural impact, how they stand up today, and just whether they’re actually as good as all those critics and directors say they are.