Promising that any project will “redefine the found footage genre” might set the bar a little high, but audiences were hyped for Shelby Oaks (2025). The debut feature of film critic turned movie maker Chris Stuckmann, this flick got the ball rolling with a fan-backed Kickstarter and ended with horror icon Mike Flanagan lending his name to the poster. But what happens when the word-of-mouth momentum doesn’t seem to last past the premiere date? On a new episode of Spooky Tuesday, we’re examining the tapes for ourselves and adding our voices to the fray as we discuss what worked, where things went wrong, what the casual viewer might not know about the effort that went into this demonic offering to Tarion, and where Monica’s least favorite Taylor Swift lyrics come into play. Welcome to our underworld, Spookies — it’s about to get quite dark. References:https://www.hollywoodreporter.com/movies/movie-features/how-chris-stuckmann-neon-shelby-oaks-1235956162/https://www.hollywoodreporter.com/movies/movie-features/shelby-oaks-chris-stuckmann-new-ending-1236415484/https://www.indiewire.com/features/commentary/shelby-oaks-post-mortem-1235157726/https://www.polygon.com/shelby-oaks-ending-explained-chris-stuckmann-interview/
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Promising that any project will “redefine the found footage genre” might set the bar a little high, but audiences were hyped for Shelby Oaks (2025). The debut feature of film critic turned movie maker Chris Stuckmann, this flick got the ball rolling with a fan-backed Kickstarter and ended with horror icon Mike Flanagan lending his name to the poster. But what happens when the word-of-mouth momentum doesn’t seem to last past the premiere date? On a new episode of Spooky Tuesday, we’re examining the tapes for ourselves and adding our voices to the fray as we discuss what worked, where things went wrong, what the casual viewer might not know about the effort that went into this demonic offering to Tarion, and where Monica’s least favorite Taylor Swift lyrics come into play. Welcome to our underworld, Spookies — it’s about to get quite dark. References:https://www.hollywoodreporter.com/movies/movie-features/how-chris-stuckmann-neon-shelby-oaks-1235956162/https://www.hollywoodreporter.com/movies/movie-features/shelby-oaks-chris-stuckmann-new-ending-1236415484/https://www.indiewire.com/features/commentary/shelby-oaks-post-mortem-1235157726/https://www.polygon.com/shelby-oaks-ending-explained-chris-stuckmann-interview/
Spookies, Au-Guessed That You Might Want Us to Continue the New Release Theme Into August, which is why we're keeping our coverage recent with Strange Darling (2024). Though it first debuted on the festival scene in 2023, JT Mollner's out-of-order story hit theaters just last year, and it left audiences buzzing. Not only did Willa Fitzgerald and scream king Kyle Gallner deliver powerful performances as The Lady and The Demon, the nature of the narrative also lent itself to some major discourse. On top of that, it features cameos from Barbara Hershey, Ed Begley Jr., and the most intense breakfast we've ever laid eyes on, so needless to say we've got a lot to sink our teeth into on a new Spooky Tuesday. Bon appétit!References: https://scriptmag.com/interviews-features/flipping-the-script-on-the-final-girl-a-conversation-with-strange-darling-writer-director-jt-mollnerhttps://saltlakefilmreview.com/2024/08/24/strange-darling-has-some-serious-problems/https://www.thetribune.ca/a-e/misogynistic-tropes-in-strange-darling-overshadow-its-thrills-10092024/https://www.reddit.com/r/horror/comments/1foonqt/lets_talk_about_the_sexual_politics_of_strange/https://decider.com/2025/03/04/strange-darling-ending-explained-strange-darling-end-credits-podcast-art-pallone/https://youtu.be/SSaLydxSjSk?si=lTemJrJh4BiucFXPhttps://www.reddit.com/r/movies/comments/1eypgxs/hey_rmovies_im_jt_mollner_director_and/
Spooky Tuesday - A Horror Movie Podcast
Promising that any project will “redefine the found footage genre” might set the bar a little high, but audiences were hyped for Shelby Oaks (2025). The debut feature of film critic turned movie maker Chris Stuckmann, this flick got the ball rolling with a fan-backed Kickstarter and ended with horror icon Mike Flanagan lending his name to the poster. But what happens when the word-of-mouth momentum doesn’t seem to last past the premiere date? On a new episode of Spooky Tuesday, we’re examining the tapes for ourselves and adding our voices to the fray as we discuss what worked, where things went wrong, what the casual viewer might not know about the effort that went into this demonic offering to Tarion, and where Monica’s least favorite Taylor Swift lyrics come into play. Welcome to our underworld, Spookies — it’s about to get quite dark. References:https://www.hollywoodreporter.com/movies/movie-features/how-chris-stuckmann-neon-shelby-oaks-1235956162/https://www.hollywoodreporter.com/movies/movie-features/shelby-oaks-chris-stuckmann-new-ending-1236415484/https://www.indiewire.com/features/commentary/shelby-oaks-post-mortem-1235157726/https://www.polygon.com/shelby-oaks-ending-explained-chris-stuckmann-interview/
