Promising that any project will “redefine the found footage genre” might set the bar a little high, but audiences were hyped for Shelby Oaks (2025). The debut feature of film critic turned movie maker Chris Stuckmann, this flick got the ball rolling with a fan-backed Kickstarter and ended with horror icon Mike Flanagan lending his name to the poster. But what happens when the word-of-mouth momentum doesn’t seem to last past the premiere date? On a new episode of Spooky Tuesday, we’re examining the tapes for ourselves and adding our voices to the fray as we discuss what worked, where things went wrong, what the casual viewer might not know about the effort that went into this demonic offering to Tarion, and where Monica’s least favorite Taylor Swift lyrics come into play. Welcome to our underworld, Spookies — it’s about to get quite dark. References:https://www.hollywoodreporter.com/movies/movie-features/how-chris-stuckmann-neon-shelby-oaks-1235956162/https://www.hollywoodreporter.com/movies/movie-features/shelby-oaks-chris-stuckmann-new-ending-1236415484/https://www.indiewire.com/features/commentary/shelby-oaks-post-mortem-1235157726/https://www.polygon.com/shelby-oaks-ending-explained-chris-stuckmann-interview/
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Promising that any project will “redefine the found footage genre” might set the bar a little high, but audiences were hyped for Shelby Oaks (2025). The debut feature of film critic turned movie maker Chris Stuckmann, this flick got the ball rolling with a fan-backed Kickstarter and ended with horror icon Mike Flanagan lending his name to the poster. But what happens when the word-of-mouth momentum doesn’t seem to last past the premiere date? On a new episode of Spooky Tuesday, we’re examining the tapes for ourselves and adding our voices to the fray as we discuss what worked, where things went wrong, what the casual viewer might not know about the effort that went into this demonic offering to Tarion, and where Monica’s least favorite Taylor Swift lyrics come into play. Welcome to our underworld, Spookies — it’s about to get quite dark. References:https://www.hollywoodreporter.com/movies/movie-features/how-chris-stuckmann-neon-shelby-oaks-1235956162/https://www.hollywoodreporter.com/movies/movie-features/shelby-oaks-chris-stuckmann-new-ending-1236415484/https://www.indiewire.com/features/commentary/shelby-oaks-post-mortem-1235157726/https://www.polygon.com/shelby-oaks-ending-explained-chris-stuckmann-interview/
Sinners (2025): "The Sexiest Horny Movie of the Year"
Spooky Tuesday - A Horror Movie Podcast
2 hours 18 minutes
4 months ago
Sinners (2025): "The Sexiest Horny Movie of the Year"
If we're sticking with our sneaky theme of new releases, then we *have* to talk about Sinners (2025). One of the biggest movies to hit screens this year — and already the subject of future Oscar speculation — Ryan Coogler's latest collab with bestie Michael B. Jordan had audiences buzzing. This movie produced its fair share of both ~discourse~ and discussion, and we're adding our voices to the choir as we break down the vampire design, fall in love with Wunmi Mosaku and Hailee Steinfeld, and talk about that very important tutorial on how to eat some ice cream. References: https://www.latimes.com/entertainment-arts/movies/story/2025-04-16/ryan-coogler-ludwig-goransson-sinners-music-blueshttps://historycanthide.substack.com/p/everything-you-missed-in-ryan-cooglershttps://www.metmuseum.org/perspectives/sahel-sunjata-stories-songshttps://screenrant.com/sinners-soundtrack-song-guide/https://variety.com/2025/artisans/news/sinners-ludwig-goransson-sinners-soundtrack-ryan-coogler-1236368959/https://www.aaihs.org/the-sinners-movie-syllabus/https://www.indiewire.com/features/podcast/sinners-ryan-coogler-inspiration-explained-1235115400/https://www.spectrecollie.com/2025/04/21/pick-poor-robin-clean-one-more-thing-i-love-about-sinners/
Spooky Tuesday - A Horror Movie Podcast
Promising that any project will “redefine the found footage genre” might set the bar a little high, but audiences were hyped for Shelby Oaks (2025). The debut feature of film critic turned movie maker Chris Stuckmann, this flick got the ball rolling with a fan-backed Kickstarter and ended with horror icon Mike Flanagan lending his name to the poster. But what happens when the word-of-mouth momentum doesn’t seem to last past the premiere date? On a new episode of Spooky Tuesday, we’re examining the tapes for ourselves and adding our voices to the fray as we discuss what worked, where things went wrong, what the casual viewer might not know about the effort that went into this demonic offering to Tarion, and where Monica’s least favorite Taylor Swift lyrics come into play. Welcome to our underworld, Spookies — it’s about to get quite dark. References:https://www.hollywoodreporter.com/movies/movie-features/how-chris-stuckmann-neon-shelby-oaks-1235956162/https://www.hollywoodreporter.com/movies/movie-features/shelby-oaks-chris-stuckmann-new-ending-1236415484/https://www.indiewire.com/features/commentary/shelby-oaks-post-mortem-1235157726/https://www.polygon.com/shelby-oaks-ending-explained-chris-stuckmann-interview/
