**Minor spoilers for MISSION: IMPOSSIBLE - THE FINAL RECKONING**
We welcome on the show Hollywood composer Max Aruj, whose latest credit is MISSION: IMPOSSIBLE - THE FINAL RECKONING.
In today’s conversation, Max and I discuss his beginnings as a student at USC, how that led to being mentored by Hans Zimmer; also, the circumstances that led Max and Alfie Godfrey to be chosen as the young composers of this latest MISSION: IMPOSSIBLE, and the creative challenges behind the film's climactic sequence. All of this… and much more!
Make sure you subscribe to Soundstage Access on your favorite podcast platform so you can share your favorite episodes with your friends.
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TWITTER: twitter.com/SoundstageAC
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**Minor spoilers for MISSION: IMPOSSIBLE - THE FINAL RECKONING**
We welcome on the show Hollywood composer Max Aruj, whose latest credit is MISSION: IMPOSSIBLE - THE FINAL RECKONING.
In today’s conversation, Max and I discuss his beginnings as a student at USC, how that led to being mentored by Hans Zimmer; also, the circumstances that led Max and Alfie Godfrey to be chosen as the young composers of this latest MISSION: IMPOSSIBLE, and the creative challenges behind the film's climactic sequence. All of this… and much more!
Make sure you subscribe to Soundstage Access on your favorite podcast platform so you can share your favorite episodes with your friends.
INSTAGRAM: www.instagram.com/soundstageaccess/
FACEBOOK: www.facebook.com/soundstageaccess/
TWITTER: twitter.com/SoundstageAC
EP 58 | Eddie Hamilton, Editor (Mission: Impossible - Dead Reckoning Part One)
Soundstage Access
1 hour 3 minutes 10 seconds
2 years ago
EP 58 | Eddie Hamilton, Editor (Mission: Impossible - Dead Reckoning Part One)
We're excited to celebrate the release of his latest MISSION: IMPOSSIBLE movie by welcoming on the show the film's Oscar-nominated editor Eddie Hamilton, whose credits include MISSION: IMPOSSIBLE - FALLOUT, KINGSMAN: THE SECRET SERVICE and TOP GUN: MAVERICK.
In today’s conversation, Eddie and I discuss MISSION: IMPOSSIBLE - DEAD RECKONING PART ONE in spoiler-ific detail: how the filmmakers handled the secrecy of certain sequences, often recreating pieces of Italy on a backlot in England; selecting the best take of the infamous motorcycle cliff jump, and why Eddie chose that specific take for the final movie. All of this… and much more!
MISSION: IMPOSSIBLE - DEAD RECKONING PART ONE is now in theaters.
Make sure you subscribe to Soundstage Access on your favorite podcast platform so you can share your favorite episodes with your friends.
INSTAGRAM: www.instagram.com/soundstageaccess/
FACEBOOK: www.facebook.com/soundstageaccess/
TWITTER: twitter.com/SoundstageAC
Soundstage Access
**Minor spoilers for MISSION: IMPOSSIBLE - THE FINAL RECKONING**
We welcome on the show Hollywood composer Max Aruj, whose latest credit is MISSION: IMPOSSIBLE - THE FINAL RECKONING.
In today’s conversation, Max and I discuss his beginnings as a student at USC, how that led to being mentored by Hans Zimmer; also, the circumstances that led Max and Alfie Godfrey to be chosen as the young composers of this latest MISSION: IMPOSSIBLE, and the creative challenges behind the film's climactic sequence. All of this… and much more!
Make sure you subscribe to Soundstage Access on your favorite podcast platform so you can share your favorite episodes with your friends.
INSTAGRAM: www.instagram.com/soundstageaccess/
FACEBOOK: www.facebook.com/soundstageaccess/
TWITTER: twitter.com/SoundstageAC
