Sajjad Zaheer (1905–1973) was a Marxist poet and revolutionary who lived and worked in both India and Pakistan. The essay featured in this episode, written around 1958, explores the tradition of tarannum (melodic recitation) in the Urdu mushairah (poetic symposium). Zaheer examines why poets who recite their verses melodiously are so beloved by mushairah audiences, and whether tarannum allows listeners to overlook questions of literary merit. He discusses the performance styles of poets such as Jigar Moradabadi and Josh Malihabadi, his own introduction of full-fledged singing at a Calcutta mushairah, and the popularity of inferior or suggestive verse. Crucially, Zaheer argues for the cultivation of refined taste among mushairah audiences and emphasizes the crucial role of second-tier poetry in sustaining the Urdu literary tradition.Featured recitals and music:1. Khumar Barabankvi - Akele hain wo2. Jigar Moradabadi - Sad arzu-e khushgavar3. Barkat Ali Khan - Ah ko chahiye ik umr4. Josh Malihabadi - Mojid-o Mufakkir {6:103}