Sound Off with Katy Henriksen features in-depth conversations about music that challenges the status quo—hybrid sounds that fall through the cracks because they aren't easily labeled. Whether it's a classical flute-and-electronic music project that takes on police brutality and race, or a mix of poetry, pop and chamber music, Sound Off explores creativity at the intersection of art, music, and literature, and digs into what that work and the people making it tell us about art and life in the 21st century.
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Sound Off with Katy Henriksen features in-depth conversations about music that challenges the status quo—hybrid sounds that fall through the cracks because they aren't easily labeled. Whether it's a classical flute-and-electronic music project that takes on police brutality and race, or a mix of poetry, pop and chamber music, Sound Off explores creativity at the intersection of art, music, and literature, and digs into what that work and the people making it tell us about art and life in the 21st century.
In this episode Katy talks to Anthony McGill, principal clarinetist of the New York Philharmonic. He's the first African-American to hold a principal chair in the orchestra's history. In response to the murder of George Floyd and the protests that erupted surrounding police violence against Black people he launched the #taketwoknees initiative on social media. He’s also in an incredible trio with his brother, flutist Demarre McGill and pianist Michael McHale, as the McGill/McHale Trio. In addition to #taketwoknees, we discuss what it's like to be a symphony musician in the time of Covid-19 and how this time away from the concert hall could reset our ears to make music anew when we're finally able to return.
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Sound Off with Katy Henriksen
Sound Off with Katy Henriksen features in-depth conversations about music that challenges the status quo—hybrid sounds that fall through the cracks because they aren't easily labeled. Whether it's a classical flute-and-electronic music project that takes on police brutality and race, or a mix of poetry, pop and chamber music, Sound Off explores creativity at the intersection of art, music, and literature, and digs into what that work and the people making it tell us about art and life in the 21st century.